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Redefining Mainstream Popular Music.
Redefining Mainstream Popular Music is a collection of seventeen essays that critically examines the idea of the ""mainstream"" in and across a variety of popular music styles and contexts. Notions of what is popular vary across generations and cultures - what may have been consi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Taylor and Francis,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn828298552 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 130223s2013 enk o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d MHW |d UKDOC |d OCLCQ |d MERUC |d WAU |d OCLCQ |d OCLCO |d SGP |d OCLCO |d OCLCF |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9781136465314 | ||
| 020 | |a 1136465316 | ||
| 029 | 1 | |a AU@ |b 000058372636 | |
| 035 | |a (OCoLC)828298552 | ||
| 050 | 4 | |a ML3470 .R425 2013 | |
| 082 | 0 | 4 | |a 781.6409 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Baker, Sarah, |d 1977- |1 https://id.oclc.org/worldcat/entity/E39PBJyxdWgG7jtqCWcKgjxv73 | |
| 245 | 1 | 0 | |a Redefining Mainstream Popular Music. |
| 260 | |a London : |b Taylor and Francis, |c 2013. | ||
| 300 | |a 1 online resource (241 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a REDEFINING MAINSTREAM POPULAR MUSIC; Copyright; Contents; Preface; Acknowledgements; Part I Reappraising the Mainstream; 1 Mainstream as Metaphor: Imagining Dominant Culture; 2 Teenybop and the Extraordinary Particularities of Mainstream Practice; 3 Historicizing Mainstream Mythology: The Industrial Organization of The Archies; Part II Perceptions of the Mainstream; 4 Lesbian Musicalities, Queer Strains and Celesbian Pop: The Poetics and Polemics of Women-Loving Women in Mainstream Popular Music; 5 The Positioning of the Mainstream in Punk. | |
| 505 | 8 | |a 6 Kill the Static: Temporality and Change in the Hip-Hop Mainstream (and Its 'Other')7 The Contradictions of the Mainstream: Australian Views of Grunge and Commercial Success; Part III Historicizing the Mainstream; 8 Elvis Goes to Hollywood: Authenticity, Resistance, Commodification and the Mainstream; 9 Walking in Memphis?: Elvis Heritage Between Fan Fantasy and Built Environment; 10 'Following in Mother's Silent Footsteps': Revisiting the Construction of Femininities in 1960s Popular Music; 11 Music From Abroad: The Internationalization of the US Mainstream Music Market, 1940-90. | |
| 505 | 8 | |a Part IV Production Aesthetics and the Mainstream12 'Sounds Like an Official Mix': The Mainstream Aesthetics of Mash-Up Production; 13 Chasing an Aesthetic Tail: Latent Technological Imperialism in Mainstream Production; 14 The Hobbyist Majority and the Mainstream Fringe: The Pathways of Independent Music-Making in Brisbane, Australia; Part V The Mainstream and Vernacular Culture; 15 Off the Beaten Track: The Vernacular and the Mainstream in New Zealand Tramping Club Singsongs; 16 Musical Listening at Work: Mainstream Musical Listening Practices in the Office Listening Practices in the Office. | |
| 505 | 8 | |a 17 Cheesy Listening: Popular Music and Ironic Listening PracticesList of Contributors; Index. | |
| 520 | |a Redefining Mainstream Popular Music is a collection of seventeen essays that critically examines the idea of the ""mainstream"" in and across a variety of popular music styles and contexts. Notions of what is popular vary across generations and cultures - what may have been considered alternative to one group may be perceived as mainstream to another. Incorporating a wide range of popular music texts, genres, scenes, practices and technologies from the United Kingdom, North America, Australia and New Zealand, the authors theoretically challenge and augment our understanding of how. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Popular music |x History and criticism. | |
| 650 | 0 | |a Popular culture. | |
| 650 | 4 | |a Popular culture. | |
| 650 | 4 | |a Popular music |x History and criticism. | |
| 650 | 6 | |a Musique populaire |x Histoire et critique. | |
| 650 | 6 | |a Culture populaire. | |
| 650 | 7 | |a popular culture. |2 aat | |
| 650 | 7 | |a Popular culture |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Bennett, Andy. | |
| 700 | 1 | |a Taylor, Jodie. | |
| 758 | |i has work: |a Redefining mainstream popular music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGHpcth6vctcDc9Fr6c8wd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Baker, Sarah. |t Redefining Mainstream Popular Music. |d London : Taylor and Francis, ©2013 |z 9780415807821 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1125271 |z Texto completo |
| 938 | |a 123Library |b 123L |n 65351 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1125271 | ||
| 994 | |a 92 |b IZTAP | ||