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The orchestral revolution : Haydn and the technologies of timbre.
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dolan, Emily I. | |
| 245 | 1 | 4 | |a The orchestral revolution : |b Haydn and the technologies of timbre. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (306 pages) | ||
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| 505 | 0 | |a Figures; Musical examples; Acknowledgements; Introduction: instruments and aesthetics; See the orchestra; Orchestration: the very idea; Haydn' s orchestra; Instruments and mediation; Overview of the book; The rebirth of aesthetics; 1 Lessons at the ocular harpsichord; Scarlet trumpets; Castel and the ocular harpsichord; Color versus tone; Instruments and organologies; Metaphorical ocular harpsichords; The color metaphor, re-imagined; 2 The idea of timbre; An elusive object; Eighteenth-century timbre; Treatises on instrumentation; The beginning of Enlightenment aesthetics. | |
| 505 | 8 | |a We are all instrumentsThe little clavichords in our souls; Conclusion; 3 Haydn, orchestration, and re-orchestration; Haydn' s fame; Incessant variety and orchestral growth; Analyzing for orchestration; Orchestral openings; Thematic growth; Slow-movement dramas; True orchestration; 4 The republic of sound; Haydn' s chaos; Instruments as characters; Orchestral polity; Instrumental citizens; Orchestral imperatives and hierarchies; Sonic economies; The Creation and The Seasons, living encyclopedias; 5 The real museum of musical works; Mechanically induced tears. | |
| 505 | 8 | |a From the Bogenflügel to the orchestrionRepeatable light; Anxious materials; Orchestras, mediation, and tombs; 6 Abuses of the orchestra; The discipline of orchestration; Noise and power; The lion' s tail; Effect Effect; He may have already had Germany in mind -- Music history, from Haydn to Rossini; Timbre as parameter; Epilogue: orchestral alchemy; Bibliography; Index. | |
| 520 | |a This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 1 | |a Haydn, Joseph, |d 1732-1809 - Criticism and interpretation. |
| 600 | 1 | 7 | |a Haydn, Joseph |d 1732-1809 |2 gnd |
| 650 | 0 | |a Instrumentation and orchestration |x History. | |
| 650 | 0 | |a Orchestra |x History |y 18th century. | |
| 650 | 6 | |a Instrumentation et orchestration |x Histoire. | |
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| 776 | 0 | 8 | |i Print version: |a Dolan, Emily I. |t Orchestral Revolution : Haydn and the Technologies of Timbre. |d Cambridge : Cambridge University Press, ©2013 |z 9781107028258 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1099915 |z Texto completo |
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