Cargando…
Understanding Bergson, understanding modernism /
Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the twenty-first century, so much so that, perhaps, our Bergson is Deleuze...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn827208827 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 130211s2013 nyu ob 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d YDXCP |d N$T |d OCLCA |d OCLCF |d OCLCQ |d OCLCA |d OCLCQ |d AGLDB |d Z5A |d XFH |d MEAUC |d OCLCQ |d OCLCO |d D6H |d UUM |d VTS |d REC |d OCLCQ |d OCLCO |d STF |d M8D |d OCLCQ |d OCLCO |d BLOOM |d VLB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ |d OCLCL | ||
| 019 | |a 857911772 |a 994355766 |a 1162735417 | ||
| 020 | |a 9781441188373 |q (electronic bk.) | ||
| 020 | |a 1441188371 |q (electronic bk.) | ||
| 020 | |a 9781472544148 | ||
| 020 | |a 1472544145 | ||
| 020 | |z 9781441172211 (hardback) | ||
| 020 | |z 9781441140470 (electronic book) | ||
| 024 | 7 | |a 10.5040/9781472544148 |2 doi | |
| 029 | 1 | |a AU@ |b 000050560628 | |
| 029 | 1 | |a AU@ |b 000058063331 | |
| 029 | 1 | |a DEBBG |b BV043110035 | |
| 029 | 1 | |a DEBSZ |b 424610868 | |
| 029 | 1 | |a DEBSZ |b 493114300 | |
| 035 | |a (OCoLC)827208827 |z (OCoLC)857911772 |z (OCoLC)994355766 |z (OCoLC)1162735417 | ||
| 050 | 4 | |a B2430.B43 |b U53 2013eb | |
| 072 | 7 | |a PHI |x 009000 |2 bisacsh | |
| 082 | 0 | 4 | |a 143 |a 809.9112 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Gontarski, S. E. | |
| 245 | 1 | 0 | |a Understanding Bergson, understanding modernism / |c edited by Paul Ardoin, S.E. Gontarski, and Laci Mattison. |
| 260 | |a New York : |b Bloomsbury, |c 2013. | ||
| 300 | |a 1 online resource (361 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the twenty-first century, so much so that, perhaps, our Bergson is Deleuze's Bergson. Despite renewed interest in Bergson, his influence remains understudied and consequently undervalued. While books examining the impact of Freud and James on Modernism abound, Bergson's impact, though widely acknowledged, has been closely examined much more rarely. Understanding Bergson, Understan. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Title page -- Copyright page -- Contents -- Foreword -- Abbreviations -- Contributors -- Introduction -- About the year 1910": Bergson and Literary Modernism -- Notes -- Part 1: Conceptualizing Bergson -- Chapter 1: (Re)Reading Time and Free Will: (Re)Discovering Bergson for the Twenty-First Century -- Intuition -- Intensity, duration, and freedom -- Intensity -- Duration -- Freedom -- Circling back: (Re)reading and (re)thinking -- Notes -- Chapter 2: Bergson's Matter and Memory: From Time to Space -- Time for space -- Notes -- Chapter 3: Comedies of Errors: Bergson's Laughter in Modernist Contexts -- Backgrounds in theory -- Bergson's theory of laughter -- Theory and resistance -- Notes -- Chapter 4: Sub Specie Durationis, or the Free Necessity of Life's Creativeness in Bergson's Creative Evolution -- The problem of "life": Between philosophy and science -- Collège de France 1902-3 lectures: "Histoire de l'idée de temps" -- Creative evolution -- A different kind of Vitalism, perhaps? -- A new "humanity," yes. . . -- Notes -- Chapter 5: A Reading of Two Sources of Morality and Religion, or Bergsonian Wisdom, Emotion, and Integrity -- A source of Two Sources in Matter and Memory -- E-movere: The movements of souls and the two sources of morality and religion -- The "lived-experience" of emotion: Two not of a kind -- Bergsonian wisdom: Emotion and the conditions for the possibility of integrity -- Notes -- Chapter 6: The Inclination of Philosophy: The Creative Mind and the Articulation of a Bergsonian Method -- Notes -- Part 2: Bergson and Aesthetics -- Chapter 7: Bergson, Vitalism, and Modernist Literature -- Introduction -- Bergsonian philosophy: Key terms for poetics -- Bergsonian poetics: Life-writing -- Bergson and the modernists: An inner circle of turmoil -- Modernism's further Bergsonian circles. | |
| 505 | 8 | |a Understanding Modernism: The cash-value of Bergsonian poetics -- Notes -- Chapter 8: Perception Sickness: Bergsonian Sensitivity and Modernist Paralysis -- The necessity of the great deadener and the dangers of lifting the veil -- Understanding modernism to understand Bergson -- Notes -- Chapter 9: "Blast ... Bergson?" Wyndham Lewis's "Guilty Fire of Friction" -- Notes -- Chapter 10: Bergson and Proust: A Question of Influence -- A Bergson-Proust chronology -- Notes -- Chapter 11: Joyce's Matter and Memory: Perception and Memory-Events in Finnegans Wake -- Notes -- Chapter 12: Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal -- Education of the senses -- Creative impulse and the reabsorption of debris -- States of consciousness, interpenetrating -- Flow -- Schema and image -- Notes -- Chapter 13: Modernist Energeia: Henri Bergson and the Romantic Idea of Language -- Notes -- Chapter 14: H.D. 's Intuitional Imagism: Memory, Desire, and the Image in Process -- Introduction -- H.D. and Imagism -- Intuition and the image in "The Shrine" -- Desire, community, and the image -- Notes -- Chapter 15: Bergson and the Comedy of Horrors -- Introduction -- What is horror? -- Why is Schindler's List horrific? On chance and death -- Bergson on the meaning of the comical -- The comedy of horrors at the limits of representation -- Concluding note on contingency and fabulation -- Notes -- Chapter 16: Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen -- Modernism and spatial form -- Einstein and spacetime -- Comics as modernism -- Bergson's objection -- Modernism and agency -- Watchmen, agency, and ethics -- Notes -- Chapter 17: The Joys of Atavism -- Notes -- Part 3: Glossary -- Chapter 18: Bergson on Art and Creativity -- Notes -- Chapter 19: Bergson on Durée -- Notes -- Chapter 20: Bergson on Élan Vital -- Notes. | |
| 505 | 8 | |a Chapter 21: Bergson on Evolution -- Note -- Chapter 22: Bergson on Free Will and Creativity -- Notes -- Chapter 23: Bergson on Habit and Perception -- Notes -- Chapter 24: Bergson on Idealism and Realism -- Notes -- Chapter 25: Bergson on Image and Representation -- Notes -- Chapter 26: Bergson on Instinct -- Chapter 27: Bergson on Intuition -- Notes -- Chapter 28: Bergson on Language -- Notes -- Chapter 29: Bergson on Memory -- Notes -- Chapter 30: Bergson on Movement and Spatialization -- Notes -- Chapter 31: Bergson on Multiplicity -- Chapter 32: Bergson on Organization and Manufacture -- Notes. | |
| 532 | 0 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Bergson, Henri, |d 1859-1941. |
| 600 | 1 | 0 | |a Bergson, Henri, |d 1859-1941 |x Influence. |
| 600 | 1 | 7 | |a Bergson, Henri, |d 1859-1941 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwCWcyBBYqJcwt9Rkyrv3 |
| 650 | 0 | |a Modernism (Literature) |x History and criticism. | |
| 650 | 6 | |a Modernisme (Littérature) |x Histoire et critique. | |
| 650 | 7 | |a PHILOSOPHY |x History & Surveys |x General. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Modernism (Literature) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Ardoin, Paul. | |
| 700 | 1 | |a Mattison, Laci. | |
| 758 | |i has work: |a Understanding Bergson, understanding modernism (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH4kyR8FvKqdT3f9CWxVYP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Understanding Bergson, understanding modernism. |d New York : Bloomsbury, 2013 |z 9781441172211 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1115367 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1115367 | ||
| 938 | |a EBSCOhost |b EBSC |n 527903 | ||
| 938 | |a YBP Library Services |b YANK |n 9992221 | ||
| 938 | |a Bloomsbury Publishing |b BLOO |n bpp09256644 | ||
| 994 | |a 92 |b IZTAP | ||