A philosophy of the screenplay /

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Recently, scholars in a variety of disciplines-including philosophy, film and media studies, and literary studies-have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nannicelli, Ted
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Routledge, 2013.
Colección:Routledge studies in contemporary philosophy.
Temas:
Motion picture authorship.
Motion picture plays > History and criticism.
Cinéma > Art d'écrire.
Scénarios de cinéma > Histoire et critique.
PERFORMING ARTS > Film & Video > Screenwriting.
Motion picture authorship
Motion picture plays
Drehbuch
Drehbuchautor
Literaturgattung
Filmmanuskript.
Analys och tolkning.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Definition. What is a screenplay? An intentional-historical formalist definition
  • Defending the definition: intentionality, history, and artifact concepts
  • Art status
  • The historical narrative approach to identifying art: exegesis and defense
  • From playwriting to screenwriting: the historical narrative
  • Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art?
  • Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays
  • Objections and ontology: (II) is the screenplay literature?
  • Towards an ontology of the screenplay
  • Appreciation. The appreciation of the screenplay as literature.

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