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|a UAMI
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|a Nannicelli, Ted.
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|a A philosophy of the screenplay /
|c Ted Nannicelli.
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|a New York :
|b Routledge,
|c 2013.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Routledge studies in contemporary philosophy
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|a Includes bibliographical references and index.
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|a Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature.
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|a Print version record.
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|a Recently, scholars in a variety of disciplines-including philosophy, film and media studies, and literary studies-have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art-more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined c.
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Motion picture authorship.
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|a Motion picture plays
|x History and criticism.
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|a Cinéma
|x Art d'écrire.
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|a Scénarios de cinéma
|x Histoire et critique.
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|a PERFORMING ARTS
|x Film & Video
|x Screenwriting.
|2 bisacsh
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|a Motion picture authorship
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|a Motion picture plays
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|a Filmmanuskript.
|2 sao
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|a Analys och tolkning.
|2 sao
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|a Criticism, interpretation, etc.
|2 fast
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|i has work:
|a A philosophy of the screenplay (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFw3twwF7h3GQTvCgrK9j3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Nannicelli, Ted.
|t Philosophy of the screenplay.
|d New York : Routledge, 2013
|z 9780415521444
|w (DLC) 2012030879
|w (OCoLC)758394567
|
830 |
|
0 |
|a Routledge studies in contemporary philosophy.
|
856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1114672
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