MARC

LEADER 00000cam a2200000M 4500
001 EBOOKCENTRAL_ocn824104172
003 OCoLC
005 20240329122006.0
006 m o d
007 cr un|---uuuuu
008 121224s2007 xx o 000 0 eng d
040 |a IDEBK  |b eng  |e pn  |c IDEBK  |d OCLCQ  |d EBLCP  |d OCLCQ  |d MERUC  |d CUY  |d OCLCO  |d ICG  |d ZCU  |d OCLCF  |d OCLCQ  |d WYU  |d DKC  |d OCLCQ  |d SNU  |d OCLCO  |d OCLCQ  |d OCLCO  |d OCLCL 
019 |a 748533410  |a 816855431 
020 |a 1283211947 
020 |a 9781283211949 
029 1 |a AU@  |b 000062427894 
035 |a (OCoLC)824104172  |z (OCoLC)748533410  |z (OCoLC)816855431 
050 4 |a PR830 
072 7 |a D  |2 bicssc 
082 0 4 |a 823.085 
049 |a UAMI 
245 0 0 |a Natural History of the Romance Novel. 
260 |b University of Pennsylvania Press  |c 2007. 
300 |a 1 online resource (240 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a pt. 1. Critics and the romance novel -- pt. 2. The romance novel defined -- pt. 3. The romance novel, 1740-1908 -- pt. 4. The twentieth-century romance novel. 
520 8 |a Annotation  |b The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson'sPamelathrough Austen'sPride and Prejudice, Brontë'sJane Eyre, and E.M. Hull'sThe Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Romance fiction, English  |x History and criticism. 
650 0 |a Romance fiction, American  |x History and criticism. 
650 0 |a Popular literature  |z English-speaking countries  |x History and criticism. 
650 6 |a Paralittérature  |z Anglophonie  |x Histoire et critique. 
650 7 |a FICTION.  |2 bisac 
650 7 |a Romance / Historical / General.  |2 bisac 
650 7 |a Popular literature  |2 fast 
650 7 |a Romance fiction, American  |2 fast 
650 7 |a Romance fiction, English  |2 fast 
651 7 |a English-speaking countries  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
720 |a Regis, Pamela. 
758 |i has work:  |a A natural history of the romance novel (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFwJcrY78J8yRbKtYgYhpd  |4 https://id.oclc.org/worldcat/ontology/hasWork 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3441533  |z Texto completo 
938 |a EBL - Ebook Library  |b EBLB  |n EBL3441533 
938 |a ProQuest MyiLibrary Digital eBook Collection  |b IDEB  |n 321194 
994 |a 92  |b IZTAP