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Theatre history studies, 2012 . Volume 32 /
Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the st...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tuscaloosa, Ala. :
University of Alabama Press,
©2012.
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| Colección: | Theatre History Studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Company: Keynote Speech from the Thirty-second Mid-America Theatre Conference / Bill Rauch
- Cut the Cow, Cut the Queen: Problems of Cultural Translation / Virginia Scott
- Companies to Keep: Air-Raid Dramas and International Ethical Responsibility in America, 1936-1939 / Lisa Jackson-Schebetta
- Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust / Marlis Schweitzer
- Company She Kept: The Radical Activism of Actress Kitty Marion from Piccadilly Circus to Times Square / Christine Woodworth
- "The Picture Postcard is a sign of the times": Theatre Postcards and Modernism / Penny Farfan
- More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home / Thomas Robson
- Midwest American Rural Landscapes and the Creation of a Unique Theatre Culture, 1870-1940 / Richard L. Poole
- Ibsen's Unexpected Triumph: Peer Gynt at the Seattle Repertory Playhouse / Victor Holtcamp
- Book Reviews
- Tim Donahue and Jim Patterson, Stage Money: The Business of the Professional Theater / Heather A. Beasley
- Sarah Werner, ed., New Directions in Renaissance Drama and Performance Studies / Shawna Mefferd Carroll
- Jan Balakian, Reading the Plays of Wendy Wasserstein / Miriam Chirico
- Laura Bradley, Cooperation and Conflict: GDR Theatre Censorship, 1961-1989 / Stacey Connelly
- Robert A. Schanke, Queer Theatre and the Legacy of Cal Yeomans / James Fisher
- Veronica Kelly, The Empire Actors: Stars of Australasian Costume Drama, 1890S-1920S / Richard Fotheringham
- Gene A. Plunka, Holocaust Drama: The Theater of Atrocity / Elinor Fuchs
- Virginia Scott, Women on the Stage in Early Modern France, 1540-1750 / Perry Gethner
- Sherry D. Engle, New Women Dramatists in America, 1890-1920, and Alma J. Bennett, American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753-1919 / Helen Huff
- Scott Magelssen and Rhona Justice-Malloy, eds., Enacting History / Scott R. Irelan
- Edward Forman, Historical Dictionary of French Theater, and Helen Solterer, Medieval Roles for Modern Times: Theater and the Battle for the French Republic / Felicia Hardison Londre
- James F. Wilson, Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance / Adrienne Macki Braconi
- Philip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick / Chris M. Mccoy
- Kevin K. Durand and Mary K. Leigh, eds., The Universe of Oz: Essays on Baum's Series and Its Progeny / Katharine M. Rogers
- Cherise Smith, Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith / Mark Seamon
- Madhavi Menon, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare / Chad Allen Thomas
- Douglas S. Harvey, The Theatre of Empire: Frontier Performances in America, 1750-1860 / Aaron M. Tobiason
- Felicity Nussbaum, Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater / Sophie Tomlinson
- Marla Carlson, Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists / Dan Venning
- Charlotte M. Canning and Thomas Postlewait, eds., Representing the Past: Essays in Performance Historiography, and Henry Bial and Scott Magelssen, eds., Theatre Historiography: Critical Interventions / Gary Jay Williams
- Laurence Senelick, ed., The American Stage: Writing on Theater from Washington Irving to Tony Kushner / Don B. Wilmeth.