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|a UAMI
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|a Spinelli Coleman, Donatella.
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|a Filming the Nation :
|b Jung, Film, Neo-Realism and Italian National Identity.
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|a Hoboken :
|b Taylor and Francis,
|c 2012.
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|a 1 online resource (241 pages)
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|a Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analys.
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|a Filming the Nation Jung, Film, neo-realism and Italian national identity; Copyright; Contents; Acknowledgments; Introduction; Primo tempo; Chapter 1The uninvited guest: film, psychoanalysis and the Jungian absence; Chapter 2Archetype and complex: the paradox of dynamic structures; Chapter 3Jung, film and nation: image as witness of a process of becoming; Intervallo; Chapter 4Italian neo-realism and the unmitigated darkness of historical truth; Secondo tempo; Chapter 51942-1945: War and archetypes -- an orphan nation with a legacy of murder
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|a Chapter 61947-1949: clearing the debt to the maternal between war and reconstructionChapter 71949-1952: Redeemers, tricksters and the wisdom of the unconscious; Conclusion; Bibliography; Index
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Motion pictures
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|a Culture in motion pictures.
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|a Motion pictures
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|1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP
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|i has work:
|a Filming the nation (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGQcT7v43k6dxjQj4kqB4C
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