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English Romantic Poets : Modern Essays in Criticism.

Compiles critical essays on the Romantic Age and the individual works of Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford University Press, USA 1975.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a Compiles critical essays on the Romantic Age and the individual works of Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. 
505 0 |a COVER PAGE -- TITLE PAGE -- COPYRIGHT PAGE -- PREFACE -- CONTENTS -- ARTHUR O. LOVEJOY: On the Discrimination of Romanticisms -- W.K WIMSATT: The Structure of Romantic Nature Imagery -- M.H. ABRAMS: The Correspondent Breeze: A Romantic Metaphor -- NORTHROP FRYE: Blake's Treatment of the Archetype -- DAVID V. ERDMAN: Blake: The Historical Approach -- ROBERT F. GLECKNER: Point of View and Context in Blake's Songs -- HAROLD BLOOM: Blake's Apocalypse: 'Jerusalem' -- BASIL WILLEY: On Wordsworth and the Locke Tradition -- GEOFFREY H. HARTMAN: Nature and the Humanization of the Self in Wordsworth. 
505 8 |a PAUL D. SHEATS: The 'Lyrical Ballads' -- LIONEL TRILLING: The Immortality Ode -- JONATHAN WORDSWORTH: Wordsworth's 'Borderers' -- G.M. HARPER: Coleridge's Conversation Poems -- G.W. KNIGHT: Coleridge's Divine Comedy -- HUMPHRY HOUSE: The Ancient Mariner -- REEVE PARKER: 'To William Wordsworth': Coleridge and the Art of Analogy -- T.S. ELIOT: Byron -- W.W. ROBSON: Byron and Sincerity -- HELEN GARDNER: Don Juan -- GEORGE M. RIDENOUR: 'Don Juan': The English Cantos -- C.S. LEWIS: Shelley, Dryden, and Mr. Eliot -- F.R. LEAVIS: Shelley -- FREDERICK A. POTTLE: The Case of Shelley. 
505 8 |a EARL R. WASSERMAN: 'Prometheus Unbound': The Premises and the Mythic Mode -- W. JACKSON BATE: Keats's Style: Evolution toward Qualities of Permanent Value -- CLEANTH BROOKS: Keats's Sylvan Historian -- RICHARD H. FOGLE: A Note on 'Ode to a Nightingale' -- ARNOLD DAVENPORT: A Note on 'To Autumn' -- JACK STILLINGER: The Hoodwinking of Madeline: Skepticism in 'The Eve of St. Agnes' -- STUART M. SPERRY: Tragic Irony in 'The Fall of Hyperion' -- NOTES. 
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