Cargando…
Playing by ear and the tip of the tongue : precategorial information in poetry /
In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial informatio...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Philadelphia :
John Benjamins Pub. Co.,
2012.
|
| Colección: | Linguistic approaches to literature ;
v. 14. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn820841285 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 120702s2012 ne af ob 001 0 eng d | ||
| 010 | |z 2012026171 | ||
| 040 | |a E7B |b eng |e pn |c E7B |d OCLCO |d OCLCQ |d CDX |d N$T |d YDXCP |d IDEBK |d OCLCF |d MHW |d EBLCP |d N15 |d OCLCQ |d LOA |d AZK |d COCUF |d AGLDB |d MOR |d PIFAG |d OTZ |d OCLCQ |d MERUC |d OCLCQ |d COO |d ZCU |d U3W |d STF |d WRM |d VTS |d ICG |d VT2 |d AU@ |d OCLCQ |d WYU |d TKN |d OCLCQ |d DKC |d OCLCQ |d UKAHL |d UX1 |d HS0 |d CEF |d OCLCQ |d VLY |d AJS |d TUHNV |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 815672100 |a 822017860 |a 961605111 |a 962594519 |a 978528666 |a 978909105 |a 987641384 |a 1004387396 |a 1048340815 |a 1064066593 |a 1065302042 |a 1100863557 |a 1100908064 |a 1157966432 |a 1162073020 |a 1178726000 |a 1184511121 |a 1190683364 |a 1232395496 |a 1241944086 |a 1243571961 |a 1249467829 |a 1252729335 |a 1257369353 |a 1259259495 |a 1290074366 |a 1297848879 |a 1298252128 |a 1300446943 | ||
| 020 | |a 9789027273253 |q (electronic bk.) | ||
| 020 | |a 9027273251 |q (electronic bk.) | ||
| 020 | |z 9027233497 | ||
| 020 | |z 9781283894920 | ||
| 020 | |z 1283894920 | ||
| 020 | |z 9789027233493 | ||
| 029 | 1 | |a DEBBG |b BV043105462 | |
| 029 | 1 | |a DEBBG |b BV044168923 | |
| 029 | 1 | |a DEBSZ |b 421313684 | |
| 035 | |a (OCoLC)820841285 |z (OCoLC)815672100 |z (OCoLC)822017860 |z (OCoLC)961605111 |z (OCoLC)962594519 |z (OCoLC)978528666 |z (OCoLC)978909105 |z (OCoLC)987641384 |z (OCoLC)1004387396 |z (OCoLC)1048340815 |z (OCoLC)1064066593 |z (OCoLC)1065302042 |z (OCoLC)1100863557 |z (OCoLC)1100908064 |z (OCoLC)1157966432 |z (OCoLC)1162073020 |z (OCoLC)1178726000 |z (OCoLC)1184511121 |z (OCoLC)1190683364 |z (OCoLC)1232395496 |z (OCoLC)1241944086 |z (OCoLC)1243571961 |z (OCoLC)1249467829 |z (OCoLC)1252729335 |z (OCoLC)1257369353 |z (OCoLC)1259259495 |z (OCoLC)1290074366 |z (OCoLC)1297848879 |z (OCoLC)1298252128 |z (OCoLC)1300446943 | ||
| 037 | |a 420742 |b MIL | ||
| 050 | 4 | |a P311 |b .T725 2012eb | |
| 072 | 7 | |a LIT |x 014000 |2 bisacsh | |
| 082 | 0 | 4 | |a 808.1 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Tsur, Reuven. | |
| 245 | 1 | 0 | |a Playing by ear and the tip of the tongue : |b precategorial information in poetry / |c Reuven Tsur. |
| 260 | |a Amsterdam ; |a Philadelphia : |b John Benjamins Pub. Co., |c 2012. | ||
| 300 | |a 1 online resource (x, 308 pages, 2 unnumbered pages of plates) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Linguistic approaches to literature, |x 1569-3112 ; |v v. 14 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to "grow together" into a compact word, generating a feeling of some dense, undifferentiated mass. Po. | ||
| 505 | 0 | |a Playing by Ear and the Tip of the Tongue; Editorial page; Title page; LCC data; Supported by; Table of contents ; Preface; Introduction; 1.1 Precategorial information and critical communication; 1.2 "Speech mode", "Nonspeech mode", "Poetic mode"; 1.3 Thing destruction and thing-free qualities; 1.4 "The Roses of her Cheeks"; 1.5 Perceptual boundaries and fusion; 1.6 "Precategorial" -- predecessors and successors; 1.7 Guide through this book; The poetic mode of speech perception revisited; 2.1 Stating the problem; 2.2 Some experimental evidence; 2.3 Speech mode, nonspeech mode and poetic mode. | |
| 505 | 8 | |a 2.4 Colour and overtone interaction2.5 Individual differences; 2.6 Summary and conclusions; The tot phenomenon; 3.1 The tot phenomenon; 3.2 Referentiality, serial position, and the "God-gifted organ-voice of England"; 3.3 Summary and conclusions; "Oceanic" dedifferentiation and poetic metaphor; 4.1 Rapid vs. delayed conceptualization; 4.2 Poetic metaphors; 4.3 Oceanic Imagery in Faust; 4.4 Conclusions ; Deixis and abstractions; 5.1 Sequential and spatial processing; 5.2 Time in poetry; 5.3 More on the abstract of the concrete; 5.4 "Total Complexes" and "Just Noticeable Differences." | |
| 505 | 8 | |a 5.5 Feeling and knowing5.6 Conclusion; Chapter 6. Three case studies -- keats, spenser, baudelaire; 6.1 Poetry and Altered States of Consciousness; 6.2 "On See℗Ưing the Elgin Marbles"; 6.3 Alternative Men℗Ưtal Performances; 6.4 Symbol and Allegory; 6.5 Keats and Marlowe; 6.6 Ambiguity and Soft Focus; 6.7 Chearlesse Night in Spenser and Baudelaire; 6.8 To Sum Up; Linguistic devices and ecstatic poetry; 7.1 Ecstatic quality, linguistic devices, and cognitive processes; 7.2 Vocal performance and lingering precategorial auditory information; Defamiliarization Revisited. | |
| 505 | 8 | |a Aesthetic qualities as structural resemblance9.1 Emotional qualities and onomatopoeia; 9.2 Convergent and divergent style; 9.3 Perceptual forces (large scale); 9.4 Perceptual forces (minute scale); 9.5 Materials and structures; Appendix; Observations on Larsen's criticism of the click experiment; Metaphor and figure -- ground relationship; 10.1 Basic gestalt rules of figure -- ground; 10.2 Figure and ground in the visual arts ; 10.3 Form in other senses ; 10.4 Figures in narrative ; 10.5 Figure and ground in poetry: Emily Dickinson ; 10.6 Figure and ground in Shakespeare. | |
| 505 | 8 | |a 10.7 Figure-ground reversal in music: "Moonlight" Sonata 10.8 Literature: Figure-ground reversals of the extralinguistic ; 10.9 Summary and wider perspectives ; Size-sound symbolism revisited; 11.1 Preliminary; 11.2 Phlogiston and precategorial information; 11.3 Sound symbolism and source's size; 11.3.1 Sound symbolism and referent's size; 11.4 Descriptive reduplication in Japanese; 11.5 Methodological comments; Issues in literary synaesthesia; 12.1 Synaesthesia as a neuropsychological and a literary phenomenon; 12.2 Four kinds of explanation; 12.3 Panchronistic tendencies in synaesthesia. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Poetics |x Psychological aspects. | |
| 650 | 0 | |a Sound symbolism. | |
| 650 | 0 | |a Versification. | |
| 650 | 0 | |a Cognition. | |
| 650 | 0 | |a Psycholinguistics. | |
| 650 | 6 | |a Poétique |x Aspect psychologique. | |
| 650 | 6 | |a Symbolisme phonique. | |
| 650 | 6 | |a Versification. | |
| 650 | 6 | |a Cognition. | |
| 650 | 6 | |a Psycholinguistique. | |
| 650 | 7 | |a cognition. |2 aat | |
| 650 | 7 | |a psycholinguistics. |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a Cognition |2 fast | |
| 650 | 7 | |a Poetics |x Psychological aspects |2 fast | |
| 650 | 7 | |a Psycholinguistics |2 fast | |
| 650 | 7 | |a Sound symbolism |2 fast | |
| 650 | 7 | |a Versification |2 fast | |
| 758 | |i has work: |a Playing by ear and the tip of the tongue (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFCJ6WhTHvkKHb3wY83KHP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Tsur, Reuven. |t Playing by ear and the tip of the tongue. |d Amsterdam ; Philadelphia : John Benjamins Pub. Co., 2012 |w (DLC) 2012026171 |
| 830 | 0 | |a Linguistic approaches to literature ; |v v. 14. |x 1569-3112 | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1043403 |z Texto completo |
| 938 | |a Coutts Information Services |b COUT |n 24444133 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1043403 | ||
| 938 | |a ebrary |b EBRY |n ebr10613335 | ||
| 938 | |a EBSCOhost |b EBSC |n 500729 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis24444133 | ||
| 938 | |a YBP Library Services |b YANK |n 9675082 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH28329171 | ||
| 994 | |a 92 |b IZTAP | ||