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A companion to Spanish cinema /

"A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Labanyi, Jo, Pavlovic, Tatjana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chichester, UK : Wiley-Blackwell, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 2 |a A companion to Spanish cinema /  |c edited by Jo Labanyi and Tatjana Pavlović. 
260 |a Chichester, UK :  |b Wiley-Blackwell,  |c 2013. 
300 |a 1 online resource (xxv, 638 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 |a "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema's cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a "national" cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research "--  |c Provided by publisher. 
520 |a "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives"--  |c Provided by publisher. 
505 0 |a A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo). 
505 8 |a The Latin American Connection (Alberto Elena)Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia. 
505 8 |a Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References. 
505 8 |a Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh). 
505 8 |a Queridos cómicos: Actors and Entertainment (Santos Zunzunegui)The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi). 
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650 0 |a Motion pictures  |z Spain. 
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651 7 |a Spain  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJqFTrvj6Mhw6JfTGmqJDq 
700 1 |a Labanyi, Jo. 
700 1 |a Pavlovic, Tatjana. 
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