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|a UAMI
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|a A companion to Spanish cinema /
|c edited by Jo Labanyi and Tatjana Pavlović.
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260 |
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|a Chichester, UK :
|b Wiley-Blackwell,
|c 2013.
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300 |
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|a 1 online resource (xxv, 638 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references and index.
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|a Print version record.
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|a "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema's cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a "national" cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research "--
|c Provided by publisher.
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520 |
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|a "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives"--
|c Provided by publisher.
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|a A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo).
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|a The Latin American Connection (Alberto Elena)Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia.
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|a Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References.
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|a Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh).
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|a Queridos cómicos: Actors and Entertainment (Santos Zunzunegui)The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi).
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Motion pictures
|z Spain.
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650 |
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|a Cinéma
|z Espagne.
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion pictures
|2 fast
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|a Spain
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJqFTrvj6Mhw6JfTGmqJDq
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700 |
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|a Labanyi, Jo.
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|a Pavlovic, Tatjana.
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758 |
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|i has work:
|a A companion to Spanish cinema (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH3xQYdX9BHmTxbBXg8YGd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
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|i Print version:
|z 9781405194389
|w (DLC) 2012023050
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1023287
|z Texto completo
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938 |
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|a Askews and Holts Library Services
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|a ProQuest MyiLibrary Digital eBook Collection
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