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Mary Magdalene : Iconographic studies from the Middle ages to the Baroque /
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
Brill,
2012.
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| Colección: | Studies in religion and the arts ;
7 |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgements; List of Contributors; List of Illustrations; Foreword; Introduction; Part One Iconographic Invention in the Life of Mary Magdalene; Chapter One The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence; Chapter Two Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano); Chapter Three The German Iconography of the Saint Magdalene Altarpiece: Documenting Its Context; Part Two Mary Magdalene as the Reformed Sinner.
- Chapter Four The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and BroadsheetsChapter Five Tintoretto's Holy Hermits at the Scuola Grande di San Rocco; Chapter Six Irony and Realism in the Iconography of Caravaggio's Penitent Magdalene; Part Three Noli me Tangere: Mary Magdalene, the Witness; Chapter Seven The Gaze in the Garden: Mary Magdalene in Noli me Tangere; Chapter Eight Michelangelo's Noli Me Tangere for Vittoria Colonna, and the Changing Status of Women in Renaissance Italy.
- Chapter Nine Woman, Why Weepest Thou? Rembrandt's 1638 Noli Me Tangere as a Dutch Calvinist Visual TypologyPart Four Patronage and Privilege: The Magdalene as Guardian and Advocate; Chapter Ten The Magdalene and 'Madame': Piety, Politics, and Personal Agenda in Louise of Savoy's Vie de la Magdalene; Chapter Eleven Mary Magdalene Between Public Cult and Personal Devotion in Correggio's Noli Me Tangere; Chapter Twelve Reflections on a Glass Madeleine Pénitente; Part Five Fusion and Flexibility: The Magdalene's Role Transformed; Chapter Thirteen Exorcism in the Iconography of Mary Magdalene.
- Chapter Fourteen "Woman, Why Weepest Thou?" Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional PaintingChapter Fifteen Mary Magdalene and the Iconography of Domesticity; Chapter Sixteen Marketing Mary Magdalene in Early Modern Northern European Prints and Paintings; Bibliography; Index.