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Maurice Pialat.

One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entir...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Warehime, Marja
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2006.
Colección:French film directors.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Copyright; Contents; List of plates; Series editors' foreword; Acknowledgements; 1. Introduction: Maurice Pialat, the outsider; 2. Pialat and the Nouvelle Vague; 3. A family of works; 4. Family portraits I: Nous ne vieillironspas ensemble, La Gueule ouverte andPasse ton bac d'abord; 5. Family portraits II: Loulou, A nosamours and Police; 6. The saint and the artist: men apart; 7. Conclusion: paternity and Le Garçu; Filmography; Select bibliography; Index. 
520 |a One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entire generation of young filmmakers in the nineties. This volume is the first book-length study of Pialat?s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society a. 
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504 |a Includes bibliographical references, filmography and index. 
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