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|a Maurice Pialat.
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|a Copyright; Contents; List of plates; Series editors' foreword; Acknowledgements; 1. Introduction: Maurice Pialat, the outsider; 2. Pialat and the Nouvelle Vague; 3. A family of works; 4. Family portraits I: Nous ne vieillironspas ensemble, La Gueule ouverte andPasse ton bac d'abord; 5. Family portraits II: Loulou, A nosamours and Police; 6. The saint and the artist: men apart; 7. Conclusion: paternity and Le Garçu; Filmography; Select bibliography; Index.
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|a One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entire generation of young filmmakers in the nineties. This volume is the first book-length study of Pialat?s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society a.
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|a Includes bibliographical references, filmography and index.
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