Cargando…
No innocent bystanders : performance art and audience /
At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performan...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover, N.H. :
Dartmouth College Press,
[2012]
|
| Colección: | Interfaces, studies in visual culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn818733962 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 121119t20122012nhua ob 001 0 eng d | ||
| 010 | |z 2012014978 | ||
| 040 | |a YDXCP |b eng |e pn |c YDXCP |d OCLCO |d N$T |d E7B |d WAU |d P@U |d OCLCF |d OCLCQ |d LGG |d COO |d OCLCQ |d AZK |d LOA |d AGLDB |d MOR |d CCO |d PIFAG |d MERUC |d OCLCQ |d ZCU |d U3W |d STF |d WRM |d VTS |d NRAMU |d ICG |d VT2 |d AU@ |d OCLCQ |d WYU |d BRX |d TKN |d A6Q |d DKC |d OCLCQ |d CUS |d UKCRE |d UKAHL |d KMS |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCL |d OCLCQ | ||
| 019 | |a 830022792 |a 961614165 |a 962595784 |a 966200437 |a 966453605 |a 988443097 |a 992108896 |a 1037715798 |a 1038576355 |a 1045494633 |a 1058311898 |a 1076583263 |a 1079930099 |a 1083612688 |a 1153539728 | ||
| 020 | |a 9781611683363 |q (electronic bk.) | ||
| 020 | |a 161168336X |q (electronic bk.) | ||
| 020 | |z 9781611683349 |q (cloth ; |q alk. paper) | ||
| 020 | |z 1611683343 |q (cloth ; |q alk. paper) | ||
| 020 | |z 9781611683356 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 1611683351 |q (pbk. ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000053299293 | |
| 029 | 1 | |a AU@ |b 000060098196 | |
| 029 | 1 | |a AU@ |b 000062360333 | |
| 029 | 1 | |a DEBBG |b BV043166779 | |
| 029 | 1 | |a DEBBG |b BV044171421 | |
| 029 | 1 | |a DEBSZ |b 421306297 | |
| 029 | 1 | |a NZ1 |b 15344080 | |
| 035 | |a (OCoLC)818733962 |z (OCoLC)830022792 |z (OCoLC)961614165 |z (OCoLC)962595784 |z (OCoLC)966200437 |z (OCoLC)966453605 |z (OCoLC)988443097 |z (OCoLC)992108896 |z (OCoLC)1037715798 |z (OCoLC)1038576355 |z (OCoLC)1045494633 |z (OCoLC)1058311898 |z (OCoLC)1076583263 |z (OCoLC)1079930099 |z (OCoLC)1083612688 |z (OCoLC)1153539728 | ||
| 037 | |a ebr10620943 | ||
| 037 | |a (OCoLC)818733962 | ||
| 050 | 4 | |a NX456.5.P38 |b W37 2012eb | |
| 072 | 7 | |a ART |x 008000 |2 bisacsh | |
| 082 | 0 | 4 | |a 709.04/0755 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Ward, Frazer, |e author. | |
| 245 | 1 | 0 | |a No innocent bystanders : |b performance art and audience / |c Frazer Ward. |
| 264 | 1 | |a Hanover, N.H. : |b Dartmouth College Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (205 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Interfaces: studies in visual culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : reimagining the audience -- Performance after minimalism : fantasies of public and private -- Acconci : "Public space is wishful thinking" -- Burden : "I'd set it up by telling a bunch of people, and that would make it happen" -- Abramović : "You can stop, you don't have to do this" -- Hsieh : "For me, the audience is secondary, however, without them my performances couldn't exist". | |
| 520 | |a At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. The author contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like "public" and "community." This work is a discussion of the relationship between art and the audience that will appeal to a range of art historians, artists, and readers who are interested in constructions of the public sphere. -- Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Performance art. | |
| 650 | 0 | |a Performing arts |x Audiences. | |
| 650 | 6 | |a Arts du spectacle |x Publics. | |
| 650 | 7 | |a ART |x Conceptual. |2 bisacsh | |
| 650 | 7 | |a Performance art |2 fast | |
| 650 | 7 | |a Performing arts |x Audiences |2 fast | |
| 758 | |i has work: |a No innocent bystanders (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFMhdxK7ygBRgXRVpgtPDC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Ward, Frazer. |t No innocent bystanders. |d Hanover, N.H. : Dartmouth College Press, ©2012 |z 9781611683349 |w (DLC) 2012014978 |w (OCoLC)785870511 |
| 830 | 0 | |a Interfaces, studies in visual culture. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1085112 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26834684 | ||
| 938 | |a ebrary |b EBRY |n ebr10620943 | ||
| 938 | |a EBSCOhost |b EBSC |n 506051 | ||
| 938 | |a Project MUSE |b MUSE |n muse18931 | ||
| 938 | |a YBP Library Services |b YANK |n 9751819 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1085112 | ||
| 994 | |a 92 |b IZTAP | ||