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Cinema and Inter-American Relations : Tracking Transnational Affect.
Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). Pérez Melgosa analyzes the evolution of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2012.
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| Colección: | Routledge advances in film studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 020 | |a 9781136256998 | ||
| 020 | |a 1136256997 | ||
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| 050 | 4 | |a PN1995.9.L37 |b P47 2012 | |
| 082 | 0 | 4 | |a 791.430973 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Pérez Melgosa, Adrián. | |
| 245 | 1 | 0 | |a Cinema and Inter-American Relations : |b Tracking Transnational Affect. |
| 260 | |a Hoboken : |b Taylor and Francis, |c 2012. | ||
| 300 | |a 1 online resource (261 pages) | ||
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| 490 | 1 | |a Routledge Advances in Film Studies | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). Pérez Melgosa analyzes the evolution of inter-American narratives in films from across the continent, highlights the social effects of the technologies used to produce these works, and explores the connections of cinema to successive shifts in hemispheric policy. As a result, Cinema and Inter-American Relations reveals the existence of a. | ||
| 505 | 0 | |a Introduction: an archive of inter-American affects -- Cabaret America: flying down to Rio and the construction of Latin American identity as performance -- Dance diplomacy: film musical comedies as models of inter-American integration -- Hemispheric romances at the cinematic contact zone -- The ends of magic: post-magical realisms and the affect of discovery -- Capturing a moving identity: the affective work of Latino transnational subjects -- Conclusion. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Latin Americans in motion pictures. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |z Latin America |x History |y 20th century. | |
| 651 | 0 | |a Latin America |x In motion pictures. | |
| 651 | 0 | |a Latin America |x Relations |z United States. | |
| 651 | 0 | |a United States |x Relations |z Latin America. | |
| 650 | 4 | |a Latin America |x In motion pictures. | |
| 650 | 4 | |a Latin America |x Relations |z United States. | |
| 650 | 4 | |a Latin Americans in motion pictures. | |
| 650 | 4 | |a Motion pictures |z Latin America |x History |y 20th century. | |
| 650 | 4 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 4 | |a United States |x Relation |z Latin America. | |
| 650 | 6 | |a Latino-Américains au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |z Amérique latine |x Histoire |y 20e siècle. | |
| 650 | 7 | |a International relations |2 fast | |
| 650 | 7 | |a Latin Americans in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Latin America |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
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| 830 | 0 | |a Routledge advances in film studies. | |
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