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|a UAMI
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|a Postmodern Theater and the Void of Conceptions.
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|b Cambridge Scholars Publishing
|c 2006.
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|a 1 online resource (158 pages)
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|a Different symbolic traditions have different ways of describing the shift of awareness toward sacred events. While not conforming to familiar states of phenomenality, this shift of awareness corresponds to Turner's liminal phase, Artaud's metaphysical em.
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504 |
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|a Includes bibliographical references (pages 145-154) and index.
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|a TABLE OF CONTENTS; PREFACE; CHAPTER 1; CHAPTER 2; CHAPTER 3; CHAPTER 4; CHAPTER 5; CHAPTER 6; CHAPTER 7; CHAPTER 8; NOTES; WORKS CITED; INDEX
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|a English.
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|a English drama
|y 20th century
|x History and criticism.
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|a Postmodernism (Literature)
|z English-speaking countries.
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|a Théâtre anglais
|y 20e siècle
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|a Postmodernisme (Littérature)
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|a PERFORMING ARTS
|x Theater
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|a Haney, William S. II.
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|i has work:
|a Postmodern theater and the void of conceptions (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCXwG7tfgb677hDk339VbdP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Haney, William S.
|t Postmodern Theater and the Void of Conceptions.
|d Newcastle upon Tyne : Cambridge Scholars Publishing, ©2006
|z 9781904303657
|
856 |
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