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Dissonant divas in chicana music : the limits of la onda /
Musical sound has been central to heteromasculinist productions of nation and homeland, whether Chicano, Tejano, Texan, Mexican, or American. If this assertion holds true, as Deborah R. Vargas suggests, then what are we to make of those singers and musicians whose representations of gender and sexua...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Vargas, Deborah R. | |
| 245 | 1 | 0 | |a Dissonant divas in chicana music : |b the limits of la onda / |c Deborah R. Vargas. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c 2012. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : music, mejicanas, and the Chicano wave -- Forgetting the Alamo, remembering Rosita Fernandez -- Borders, bullets, besos : the boleros of Chelo Silva -- TexMex conjunto accordion masculinity : the queer discord of Eva Ybarra and Ventura Alonzo -- Sonido de Las Am'ricas : crossing south/south borders with Eva Garza -- Giving us that brown soul : Selena's departures and arrivals -- Epilogue : the borderlands rock reverb of Gloria Rios and Girl in a Coma. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Musical sound has been central to heteromasculinist productions of nation and homeland, whether Chicano, Tejano, Texan, Mexican, or American. If this assertion holds true, as Deborah R. Vargas suggests, then what are we to make of those singers and musicians whose representations of gender and sexuality are irreconcilable with canonical Chicano/Tejano music or what Vargas refers to as "la onda"? These are the "dissonant divas" Vargas discusses, performers who stimulate our listening for alternative borderlands imaginaries that are inaudible within the limits of "la onda.". Dissonant Divas in C. | ||
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| 650 | 0 | |a Music |z Mexico |y 20th century |x History and criticism. | |
| 650 | 0 | |a Mexican Americans |v Music. | |
| 650 | 0 | |a Tejano music |x History and criticism. | |
| 650 | 0 | |a Gender identity in music. | |
| 650 | 0 | |a Mexican American women. | |
| 650 | 0 | |a Women musicians |z United States. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 6 | |a Américains d'origine mexicaine |v Musique. | |
| 650 | 6 | |a Tejano (Musique) |x Histoire et critique. | |
| 650 | 6 | |a Identité de genre dans la musique. | |
| 650 | 6 | |a Américaines d'origine mexicaine. | |
| 650 | 6 | |a Musiciennes |z États-Unis. | |
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| 650 | 7 | |a Women musicians |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Vargas, Deborah R. |t Dissonant divas in chicana music. |d Minneapolis : University of Minnesota Press, 2012 |z 9780816673162 |w (DLC) 2012002833 |w (OCoLC)759909947 |
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