|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
EBOOKCENTRAL_ocn815767152 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr cn||||||||| |
008 |
121102s2012 xxk o 000 0 eng d |
040 |
|
|
|a UKPGM
|b eng
|e pn
|c UKPGM
|d OCLCO
|d YDXCP
|d N$T
|d CDX
|d EBLCP
|d OCLCF
|d OCLCA
|d OCLCQ
|d OCLCO
|d OCLCQ
|d S3O
|d OCLCQ
|d GW5XE
|d MERUC
|d INT
|d OCLCQ
|d YOU
|d OCLCQ
|d UKAHL
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 817540278
|a 819514326
|
020 |
|
|
|a 9781137274595
|q (electronic bk.)
|
020 |
|
|
|a 113727459X
|q (electronic bk.)
|
020 |
|
|
|a 9781283737104
|q (MyiLibrary)
|
020 |
|
|
|a 1283737108
|q (MyiLibrary)
|
020 |
|
|
|z 9781137005038
|q (print)
|
020 |
|
|
|z 0230303706
|
020 |
|
|
|z 9780230303706
|
029 |
1 |
|
|a AU@
|b 000050635624
|
029 |
1 |
|
|a AU@
|b 000055849872
|
035 |
|
|
|a (OCoLC)815767152
|z (OCoLC)817540278
|z (OCoLC)819514326
|
037 |
|
|
|a 513103
|b Palgrave Macmillan
|n http://www.palgraveconnect.com
|
043 |
|
|
|a e-uk---
|
050 |
|
4 |
|a PN1995.C66
|b F67 2012
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a PER
|2 eflch
|
082 |
0 |
4 |
|a 791
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Forshaw, Barry.
|
245 |
1 |
0 |
|a British crime film :
|b subverting the social order /
|c Barry Forshaw.
|
260 |
|
|
|a Basingstoke :
|b Palgrave MacMillan,
|c 2012.
|
300 |
|
|
|a 1 online resource (192 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Crime Files
|
520 |
|
|
|a British Crime Film is a celebratory and comprehensive social history of this idiosyncratic genre. Barry Forshaw focuses on the strategies used to address more radical notions than those presented in mainstream product, exploring such themes as the treatment of sex and violence, corporate crime and the maverick criminal. Covering every major - and most minor - British crime films up to and including the twenty-first century, Forshaw contextualises the films within the crime fiction that inspired them. He explores new developments including British urban crime movies and the wave of new crime/horror hybrids such as Kill List, and predicts what the future holds for the genre.
|
505 |
0 |
|
|a A Social History of the Crime Film -- The Age of Austerity: Post-war Crime Movies -- Class and Crime: Social Divisions -- Between Left and Right: Politics and Individuals -- Heritage Britain -- Shame of a Nation: Juvenile Delinquents and Exploitation -- The New Violence: The Loss of Innocence -- Scourging the Unacceptable: Censorship Battles -- Metropolitan Murder: London -- The Regions -- Breaking Taboos: Sex and the Crime Film -- Corporate Crime: Curtains for the Maverick -- Mockney Menace: The New Wave -- The Age of Acquisition: New Crime -- 21st Century Hybrids -- The Directors: Makers of Key Crime Films -- APPENDIX 1: The Directors: Makers of Key Crime Films -- APPENDIX 2: TV Crime -- APPENDIX 3: Crime and Espionage -- APPENDIX 4: Films, TV and Books.
|
520 |
8 |
|
|a Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day 'Mockney' productions, it contextualises the films and identifies important and neglected works.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Crime films
|z Great Britain
|x History and criticism.
|
650 |
|
0 |
|a Motion pictures
|x Social aspects
|z Great Britain.
|
650 |
|
6 |
|a Films criminels
|z Grande-Bretagne
|x Histoire et critique.
|
650 |
|
6 |
|a Cinéma
|x Aspect social
|z Grande-Bretagne.
|
650 |
|
7 |
|a Film: styles & genres.
|2 bicssc
|
650 |
|
7 |
|a Film theory & criticism.
|2 bicssc
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a Performing Arts.
|2 eflch
|
650 |
|
7 |
|a Crime films
|2 fast
|
650 |
|
7 |
|a Motion pictures
|x Social aspects
|2 fast
|
651 |
|
7 |
|a Great Britain
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
758 |
|
|
|i has work:
|a British crime film (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG79XpQB9y38YcBKkPWp8C
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Forshaw, Barry.
|t British crime film. Subverting the social order.
|d Basingstoke : Palgrave MacMillan 2012
|z 9780230303706
|w (OCoLC)810122402
|
830 |
|
0 |
|a Crime files series.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1058276
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH31787599
|
938 |
|
|
|a Coutts Information Services
|b COUT
|n 24150178
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL1058276
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 501969
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 9700896
|
994 |
|
|
|a 92
|b IZTAP
|