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Refried Elvis : the Rise of the Mexican Counterculture.

This powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock and ro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zolov, Eric
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkerley : University of California Press, 1999.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Refried Elvis; Title; Copyright; Dedication; Contents; List of Illustrations; Illustrations; FIGURES; GRAPHS; TABLES; Acknowledgments; Introduction; 1 Rebeldismo in the Revolutionary Family: Rock 'n' Roll's Early Impact on Mexican State and Society; 1. Record exports from Mexico, 1955-1976; 1. Movie advertisement for Los chiflados del rock'n roll, 1957; 2. Abel Quezada's critique of Elvis Presley, 1959; 2 Containing the Rock Gesture; 2. Record imports into Mexico, 1955-1976; 3. ""The Family Dances the Twist, "" 1962; 4. The buttoned-down look of refrito groups, 1965.
  • 5. Mexican bands meet the demand for rocanrol, early 1960s3 La Onda: Mexico's Counterculture and the Student Movement of 1968; 6. ""Which One Is the Woman? Which One Is the Man?"" 1966; 4 La Onda in the Wake of Tlatelolco; 7. Military authorities search a guitar case for drugs, 1969; 8. Foreign hippies face arrest and deportation, 1969; 9. A Mexican jipi faces arrest, 1969; 10. ""Cleanup of 'Hippies' and Drug Addicts, "" 1969; 11. Cover of The People's Guide to Mexico, 1972; 12. A roundup of Mexican jipis, 1971; 5 La Onda Chicana: The Reinvention of Mexico's Countercultural Community.
  • 13. The impact of La Onda Chicana on Mixico Canta, 197114. Javier Batiz performs in the Alameda Park, c. 1971; 6 The Avándaro Rock Festival; 15. A transformed Mexican flag at the AvAndaro music festival, 1971; 16. Dancing with the U.S. flag at the AvAndaro music festival, 1971; 1. 1971 General Music Catalog for Polydor Records; 17. Folkloric groups popularized indigenous sounds, early 1970s; 2.1975 General Music Catalog for CBS Records; 7 A Critique of the ""Obvious Imperialist"": The USIA; 18. Last page of USIA-produced booklet, 1971; Conclusion.
  • 19. A commemorative march in Mexico City, 1993Notes; Bibliography; Permission Credits; Index.