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|a Holbrook, Morris B.
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|a The semiotics of consumption :
|b interpreting symbolic consumer behavior in popular culture and works of art /
|c by Morris B. Holbrook, Elizabeth C. Hirschman.
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|a Berlin ;
|a New York :
|b Mouton de Gruyter,
|c 1993.
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|a 1 online resource (xi, 365 pages)
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|a text
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|a Approaches to semiotics ;
|v 110
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|a Includes bibliographical references and index.
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|a Acknowledgments; Chapter I The role of semiotics in research on consumer esthetics; 1. Introduction; 2. Some background on the study of signs; 2.1. Overview; 2.2. Neopositivistic semiotics; 2.3. Interpretive semiology; 2.4. Summary; 3. The study of signs in consumer esthetics; 3.1. Beginnings; 3.2. The link to consumer esthetics; 3.3. Preview; 3.4. Problems and prospects in neopositivistic semiotic studies of consumer esthetics; 3.5. Problems and prospects in the interpretive semiology of consumer esthetics; 4. Criticisms and defenses of interpretive semiology
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|a 4.1. The critique and defense concerning the scientific status of interpretive semiology4.2. The critique and defense concerning the appeal to managerial relevance; 5. Preview; Chapter II Semiotics and popular culture; 1. Introduction; 2. The ideology of consumption; 2.1. Preview; 2.2 "Dallas" and "Dynasty"; 2.3. Sacredness and secularity in motion pictures; 3. Motion picture mythology; 3.1. Introduction; 3.2. What is a myth?; 3.3. Analyzing myths; 3.4. Classifying archetypes; 3.5. The structure of myths; 3.6. Motion pictures as myths; 3.7. Discussion
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|a Chapter III Romanticism and sentimentality in consumer behavior: A literary approach to the joys and sorrows of consumption1. Introduction; 2. Romanticism; 2.1. The romantic ethos; 2.2. The Wordsworthian vision; 2.3. The quest; 2.4. A universal impulse; 2.5. Preview; 3. The joys and sorrows of consumption; 3.1. Odysseus comes home; 3.2. Aeneas and the tragic Queen Dido: From romanticism to sentimentality; 3.3. The age of sentiment; 3.4. From Marlowe to Goethe: Faust gets saved; 3.5. Bloom as Ulysses: Odysseus returns; 4. Epilogue
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|a Chapter IV Seven routes to facilitating the semiotic interpretation of consumption symbolism and marketing imagery in works of art1. Introduction; 2. Prospects and problems, dangers and difficulties; 3. Seven routes to interpretation; 4. Conclusion; Appendices; 1. Appendix 1: Women of Manhattan; 2. Appendix 2: Beverly Hills cop; 3. Appendix 3: Tin men and the marketing concept; 4. Appendix 4: Gremlins as metaphors for materialism; 5A. Appendix 5A: Coastal disturbances (coauthored with Stephen Bell and Mark W. Grayson)
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|a 5B. Appendix 5B: Sacred and secular consumption imagery in A Christmas carol6. Appendix 6: Automotive signs in Two for the road; 7. Appendix 7: Major and minor uses of symbolic consumer behavior to develop plot and character in Out of Africa (coauthored with Mark W. Grayson); References; Index
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|a The Semiotics of Consumption: Interpreting Symbolic Consumer Behavior in Popular Culture and Works of Art (Approaches to Semiotics).
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546 |
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Consumer behavior.
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|a Popular culture.
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|a Semiotics.
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|a Popular Culture
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|a Consommateurs
|x Comportement.
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|a Culture populaire.
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|a popular culture.
|2 aat
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|a LANGUAGE ARTS & DISCIPLINES
|x Communication Studies.
|2 bisacsh
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|a Consumer behavior
|2 fast
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|a Popular culture
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|a Semiotics
|2 fast
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|a Hirschman, Elizabeth Caldwell,
|d 1949-
|1 https://id.oclc.org/worldcat/entity/E39PCjKkYm4kMfrQGhqpYWxggC
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|i has work:
|a The semiotics of consumption (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGW6wR9x7QW6HXHKBMTpKd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Holbrook, Morris B.
|t Semiotics of consumption.
|d Berlin ; New York : Mouton de Gruyter, 1993
|w (DLC) 92047431
|
830 |
|
0 |
|a Approaches to semiotics ;
|v 110.
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856 |
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