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War culture and the contest of images /
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Using carefully chosen case studies, Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, includ...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, N.J. :
Rutgers University Press,
2012.
|
| Colección: | New directions in international studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Apel, Dora, |d 1952- |e author. | |
| 245 | 1 | 0 | |a War culture and the contest of images / |c Dora Apel. |
| 260 | |a New Brunswick, N.J. : |b Rutgers University Press, |c 2012. | ||
| 300 | |a 1 online resource (xii, 273 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a New directions in international studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Book Series Information; Title Page; Copyright Page; Dedication Page; Contents; Illustrations; Acknowledgments; Introduction; Part I. The Romance of War; Chapter 1. Technologies of War, Media, and Dissent in the Post-9/11 Work of Krzysztof Wodiczko; Chapter 2. Historical Reenactment: Romantic Amnesia or Counter-Memory?; Part II. The Body of War; Chapter 3. Abu Ghraib, Gender, and the Military; Chapter 4. The Body as Political Corpus; Part III. The Landscape of War; Chapter 5. Controlling the Frame: Photojournalism, Digital Technology, and "Modern Warfare." | |
| 505 | 8 | |a Chapter 6. Israel/Palestine and the Political ImaginaryConclusion; Notes; Selected Bibliography; Index; About the Author. | |
| 520 | |a War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Using carefully chosen case studies, Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of imag. | ||
| 588 | 0 | |a Print version record. | |
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| 583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
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| 650 | 0 | |a Art and war. | |
| 650 | 0 | |a War and society. | |
| 650 | 0 | |a Art and society. | |
| 650 | 6 | |a Art et guerre. | |
| 650 | 6 | |a Guerre et société. | |
| 650 | 6 | |a Art et société. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Art and war |2 fast | |
| 650 | 7 | |a War and society |2 fast | |
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| 830 | 0 | |a New directions in international studies. | |
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