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|a Sperb, Jason,
|d 1978-
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|a Disney's most notorious film :
|b race, convergence, and the hidden histories of Song of the South /
|c by Jason Sperb.
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|a First edition.
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|a Austin :
|b University of Texas Press,
|c [2012]
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|a 1 online resource (xiii, 278 pages)
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|a text file
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|a Originally presented as the author's thesis (doctoral)--Indiana University, 2009.
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|a Includes bibliographical references and index.
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|a Introduction -- Conditions of possibility : the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney" : postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie" : media convergence, Black ambivalence, and the reconstruction of Song of the South -- A past that never existed : coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots : Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence : new media, nostalgia, and the internet fandom of Song of the South -- Conclusion.
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|a Print version record.
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|a This book examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film's controversies over the last seven decades. The author traces the film's reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.
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546 |
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Song of the South (Motion picture)
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|a Walt Disney Productions.
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|a Race relations in motion pictures.
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|a African Americans in motion pictures.
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|a Stereotypes (Social psychology) in motion pictures.
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|a Motion picture audiences
|z United States.
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|a Convergence (Telecommunication)
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|a Relations raciales au cinéma.
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|a Noirs américains au cinéma.
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|a Stéréotypes au cinéma.
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|a Cinéma
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|z États-Unis.
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|a Convergence (Télécommunications)
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|x Film & Video.
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|a PERFORMING ARTS
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|x Reference.
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|a African Americans in motion pictures
|2 fast
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|a Convergence (Telecommunication)
|2 fast
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|a Motion picture audiences
|2 fast
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|a Race relations in motion pictures
|2 fast
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|a Stereotypes (Social psychology) in motion pictures
|2 fast
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|a United States
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|i has work:
|a Disney's most notorious film (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGBpqGhmRgTrGkwXwPqh9C
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Sperb, Jason, 1978-
|t Disney's most notorious film.
|b 1st ed.
|d Austin : University of Texas Press, 2012
|z 9780292739741
|w (DLC) 2012025848
|w (OCoLC)783173317
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