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A Companion to Eastern European Cinemas.
A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. Showcases critical historical work and up-to-date assessments...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
John Wiley & Sons,
2012.
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| Colección: | Wiley-Blackwell companions to national cinemas.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Eastern European cinema from no end to the end (as we know it) / Anikó Imre
- New theoretical and critical frameworks. Body horror and post-socialist cinema: Gyorgy Polfis Taxidermia / Steven Shaviro
- El perro negro: transnational readings of database documentaries from Spain / Marsha Kinder
- Did somebody say Communism in the classroom? or, the value of analyzing totality in recent Serbian cinema / Zoran Samardzija
- Laughing into an abyss: cinema and Balkanization / Kriss Ravetto-Biagioli
- Jewish identities and generational perspectives / Catherine Portuges
- Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006) and Romanian cinema / Alice Bardan
- Cinema beyond borders: Slovenian cinema in a world context / Meta Mazaj and Shekhar Deshpande
- Historical and spatial redefinitions. Center and periphery, or how Karel Vachek formed a new government / Alice Lovejoy
- The Polish black series documentary and the British Free Cinema movement / Bjorn Sorenssen
- Socialists in outer space: East German film's Venusian adventure / Stefan Soldovieri
- Red Shift: new Albanian cinema and its dialogue with the old / Bruce Williams
- National space, (trans)national cinema: Estonian film in the 1960s / Eva Näripea
- For the peace, for a new man, for a better world! Italian leftist culture and Czechoslovak cinema, 1945-1968 / Francesco Pitassio
- Aesthetic (re)visions. The impossible Polish new wave and its accursed Émigré auteurs: Borowczyk, Polanski, Skolimowski and Zulawski / Michael Goddard
- Documentary and industrial decline in Hungary: the "zd Series" of Tamás Almási / John Cunningham
- Investigating the past, envisioning the future: an exploration of post-1991 Latvian documentary / Maruta Z. Vitols
- East European historical epics: genre cinema and the visualization of a heroic national past / Nikolina Dobreva
- Nation, gender and history in Latvian genre cinema / Irina Novikova
- A comparative study: Rein Raamat's Big tõll and Priit Pärn's Luncheon on the grass / Andreas Trossek
- Yugoslav black wave: the history and poetics of polemical cinema in the 60s and 70s in Yugoslavia / Greg DeCuir, Jr.
- Industries and institutions. Follow the money: financing contemporary cinema in Romania / Ioana Uricaru
- An alternative model of film production: film units in Poland after WWII / Dorota Ostrowska
- The Hussite heritage film: a dream for all Czech seasons / Petra Hanukovu
- International coproductions as productions of heterotopias / Ewa Mazierska
- East is East? new Turkish cinema and Eastern Europe / Melis Behlil.