|
|
|
|
LEADER |
00000cam a2200000Mu 4500 |
001 |
EBOOKCENTRAL_ocn808382385 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cu uuu---auuuu |
008 |
110207s2002 xx o 000 u eng d |
040 |
|
|
|a OAPEN
|b eng
|e pn
|c OAPEN
|d IDEBK
|d EBLCP
|d OCLCQ
|d CN8ML
|d SFB
|d ZMC
|d OCLCQ
|d ZCU
|d XFH
|d OCLCQ
|d MERUC
|d OCLCQ
|d OAPEN
|d ICG
|d AU@
|d OCLCQ
|d DKC
|d OCLCQ
|d DIPCC
|d RRP
|d OCLCF
|d BRF
|d OCLCQ
|d UCW
|d OCLCQ
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 794697502
|a 814508434
|a 995198667
|a 1014403027
|a 1014456436
|a 1014475658
|a 1014487929
|a 1159388079
|a 1179545238
|
020 |
|
|
|a 9780719057496
|
020 |
|
|
|a 0719057493
|
020 |
|
|
|a 1280733942
|
020 |
|
|
|a 9781280733949
|
024 |
7 |
|
|a 341318
|
029 |
1 |
|
|a AU@
|b 000055825982
|
029 |
1 |
|
|a DEBBG
|b BV044170642
|
029 |
1 |
|
|a NZ1
|b 14935506
|
035 |
|
|
|a (OCoLC)808382385
|z (OCoLC)794697502
|z (OCoLC)814508434
|z (OCoLC)995198667
|z (OCoLC)1014403027
|z (OCoLC)1014456436
|z (OCoLC)1014475658
|z (OCoLC)1014487929
|z (OCoLC)1159388079
|z (OCoLC)1179545238
|
037 |
|
|
|b DOAB
|c CostFree
|f FormOnline
|g AccessOpen
|n GovNo
|
043 |
|
|
|a e-ie---
|a e-uk-st
|a e-uk-wl
|a e-uk-ni
|
050 |
|
4 |
|a DA959.1
|
072 |
|
7 |
|a GTS
|2 bicssc
|
082 |
0 |
4 |
|a 941.5
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Norquay, Glenda,
|d 1958-
|1 https://id.oclc.org/worldcat/entity/E39PBJyH3J4Cr8WtpcbkVRjV4q
|
245 |
1 |
0 |
|a Across the margins :
|b Cultural identity.
|
260 |
|
|
|b Manchester University Press
|c 2002.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
520 |
|
|
|a Across the margins offers a comparative, theoretically informed analysis of the cultural formation of the Atlantic Archipelago. In its overall conception and in specific contributions (including an introductory essay), this collection demonstrates the benefits of working across the disciplines of history, geography, literature and cultural studies, but also presents new configurations of cultural forms hitherto associated with specifically national and sub-national literatures. The essays, from both established and new scholars working in the fields of British, Irish and comparative cultural studies, addresses broad questions raised by the interface between language, gender, sexuality and ethnicity in relation to marginal identities, but also includes specific genre-based case studies on contemporary poetry, fiction, drama, popular music and art. This format recognises the importance of specific concerns which emerge from different geographical locations, but also encourages movement beyond traditional formations of national cultures. Responding to recent constitutional developments in Great Britain and Ireland, it explores their implications both for the cultural negotiations of marginality and for established critical paradigms. It is therefore of interest to undergraduates, postgraduates and academics working in the areas of comparative literature, postcolonial theory, Irish, Scottish and Welsh studies, and British political/cultural studies.
|
546 |
|
|
|a English.
|
505 |
0 |
|
|a Notes on contributors; Acknowledgements; Introduction: crossing the margins (GLENDA NORQUAY and GERRY SMYTH); PART I Theorising identities across the Atlantic archipelago; 1 'Ireland, verses, Scotland: crossing the (English) language barrier' (WILLY MALEY); 2 'A warmer memory': speaking of Ireland (COLIN GRAHAM); 3 'Where do you belong?': de-scribing Imperial identity from alien to migrant (PETER CHILDS); 4 Gender and nation: debatable lands and passable boundaries (AILEEN CHRISTIANSON); 5 The Union and Jack: British masculinities, pomophobia, and the post-nation (BERTHOLD SCHOENE).
|
505 |
8 |
|
|a PART II Cultural negotiations6 Paper margins: the 'outside' in poetry in the 1980s and 1990s (LINDEN PEACH); 7 Sounding out the margins: ethnicity and popular music in British cultural studies (SEAN CAMPBELL); 8 Cool enough for Lou Reed?: The plays of Ed Thomas and the cultural politics of South Wales (SHAUN RICHARDS); 9 Waking up in a different place: contemporary Irish and Scottish fiction (GLENDA NORQUAY AND GERRY SMYTH); 10 Finding Scottish art (MURDO MACDONALD); Bibliography; Index.
|
506 |
|
|
|a This work is licensed under the following Creative Commons License: Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0).
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Social sciences (General)
|
650 |
|
7 |
|a Society and social sciences.
|2 bicssc
|
650 |
|
7 |
|a Society and culture: general.
|2 bicssc
|
650 |
|
7 |
|a Cultural studies.
|2 bicssc
|
650 |
|
7 |
|a Civilization
|2 fast
|
650 |
|
7 |
|a English literature
|x Irish authors
|2 fast
|
650 |
|
7 |
|a English literature
|x Scottish authors
|2 fast
|
650 |
|
7 |
|a English literature
|x Welsh authors
|2 fast
|
651 |
|
7 |
|a Ireland
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJqvXDFC7pX6tHkq6DX68C
|
651 |
|
7 |
|a Northern Ireland
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39QbtfRkd6Thwyx76cfMKMjPp
|
651 |
|
7 |
|a Scotland
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39QbtfRx4M4xHbtFTRj7p6BmM
|
651 |
|
7 |
|a Wales
|2 fast
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
653 |
|
|
|a transatlantic
|
653 |
|
|
|a culture
|
653 |
|
|
|a literature
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
700 |
1 |
|
|a Smyth, Gerry.
|4 aut
|
758 |
|
|
|i has work:
|a Across the margins (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFDmR76BkcKB66PVjwGVbq
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1069475
|z Texto completo
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 73394
|
938 |
|
|
|a OAPEN Foundation
|b OPEN
|n 341318
|
938 |
|
|
|a DCS UAT TEST 8
|b TEST
|n 341318
|
994 |
|
|
|a 92
|b IZTAP
|