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Cinema of choice : optional thinking and narrative movies /
Standard Hollywood narrative movies prescribe linear narratives that cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Berghahn Books,
2012.
|
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ben-Shaul, Nitzan S. | |
| 245 | 1 | 0 | |a Cinema of choice : |b optional thinking and narrative movies / |c Nitzan Ben Shaul. |
| 250 | |a 1st ed. | ||
| 260 | |a New York : |b Berghahn Books, |c 2012. | ||
| 300 | |a 1 online resource (vi, 189 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes filmography. | ||
| 505 | 0 | |a Introduction -- Closed mindedness in movies -- Failed alternatives to optional thinking -- Optional thinking in movies -- Conclusion. | |
| 520 | |a Standard Hollywood narrative movies prescribe linear narratives that cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possibility. Through the study of several key movies for which this concept is central, such as Sliding Doors, Run Lola Run, Inglourious Basterds, and Rashomon, Nitzan Ben Shaul examines the causes and implications of optional thinking and how these movies allow for more open and creative possibilities. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion picture audiences |x Psychology. | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 6 | |a Cinéma |x Publics |x Psychologie. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences |x Psychology |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
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