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|a Keefe, Simon P.,
|d 1968-
|1 https://id.oclc.org/worldcat/entity/E39PBJvRRV3GRVjF4Kqkq3p773
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|a Mozart's Requiem :
|b reception, work, completion /
|c Simon P. Keefe.
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2012.
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300 |
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|a 1 online resource (xiii, 263 pages) :
|b illustrations
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|a text
|b txt
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|a Music in context
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; Mozart's Requiem; Series editors; Title; Copyright; Didection; Contents; Music examples; Tables; Acknowledgements; Introduction: Mozart's Requiem in context; 1: The Requiem legend in the nineteenth and twentieth centuries; The legend of Mozart's Requiem in the nineteenth century; The Requiem in nineteenth-century fiction, drama and poetry; The Requiem legend in the twentieth century; Conclusion; 2: Criticism and scholarship from 1800 to the present day; Nineteenth-century critical discussion of the Requiem; Early criticism, to 1824; The years of the Requiem-Streit, 1825-1842; 1842-1900.
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|a 20th -and 21st-century criticism and scholarship1900-1950; From 1950 onwards; Conclusion; 3: The Requiem in performance; Nineteenth-century editions; Nineteenth-century performances; 20th- and 21st-century performances and recordings; Conclusion; 4: Mozart's work on the Requiem: sounds and strategies; Sounds and strategies in the Requiem; Introit; Kyrie; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu; The Offertory: Hostias.
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|a Requiem sounds and strategies in contextConclusion; 5: After Mozart: the Requiem completion, 1791-1792; The orchestration of the Sequence and the Offertory; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu and Hostias; The Sanctus, Benedictus, Agnus Dei and Communio; Süssmayr's completion in context; Conclusion; 6: Modern completions of the Requiem; Levin, Beyer and Maunder completions; Conclusion; Epilogue: a Requiem for the future.
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|a Appendix: original text of Franz Xaver Süssmayr's letter to Breitkopf & amp; Härtel (1800)Select bibliography; Index.
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|a A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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1 |
0 |
|a Mozart, Wolfgang Amadeus,
|d 1756-1791.
|t Requiem,
|n K. 626,
|r D minor.
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630 |
0 |
7 |
|a Requiem (Mozart, Wolfgang Amadeus)
|2 fast
|
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1 |
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|a Mozart, Wolfgang Amadeus
|d 1756-1791
|t Requiem
|n KV 626
|2 gnd
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650 |
|
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|a RELIGION
|x Christian Rituals & Practice
|x General.
|2 bisacsh
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|i has work:
|a Mozart's Requiem (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGKBybgbKHH9XfGmbfQdHC
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|i Print version:
|a Keefe, Simon P., 1968-
|t Mozart's Requiem.
|d Cambridge, UK ; New York : Cambridge University Press, 2012
|z 9780521198370
|w (DLC) 2011053269
|w (OCoLC)772771712
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|a Music in context.
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