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Mozart's Requiem : reception, work, completion /

A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Keefe, Simon P., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; New York : Cambridge University Press, 2012.
Colección:Music in context.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Music in context 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Mozart's Requiem; Series editors; Title; Copyright; Didection; Contents; Music examples; Tables; Acknowledgements; Introduction: Mozart's Requiem in context; 1: The Requiem legend in the nineteenth and twentieth centuries; The legend of Mozart's Requiem in the nineteenth century; The Requiem in nineteenth-century fiction, drama and poetry; The Requiem legend in the twentieth century; Conclusion; 2: Criticism and scholarship from 1800 to the present day; Nineteenth-century critical discussion of the Requiem; Early criticism, to 1824; The years of the Requiem-Streit, 1825-1842; 1842-1900. 
505 8 |a 20th -and 21st-century criticism and scholarship1900-1950; From 1950 onwards; Conclusion; 3: The Requiem in performance; Nineteenth-century editions; Nineteenth-century performances; 20th- and 21st-century performances and recordings; Conclusion; 4: Mozart's work on the Requiem: sounds and strategies; Sounds and strategies in the Requiem; Introit; Kyrie; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu; The Offertory: Hostias. 
505 8 |a Requiem sounds and strategies in contextConclusion; 5: After Mozart: the Requiem completion, 1791-1792; The orchestration of the Sequence and the Offertory; The Sequence: Dies irae; The Sequence: Tuba mirum; The Sequence: Rex tremendae; The Sequence: Recordare; The Sequence: Confutatis; The Sequence: Lacrymosa; The Offertory: Domine Jesu and Hostias; The Sanctus, Benedictus, Agnus Dei and Communio; Süssmayr's completion in context; Conclusion; 6: Modern completions of the Requiem; Levin, Beyer and Maunder completions; Conclusion; Epilogue: a Requiem for the future. 
505 8 |a Appendix: original text of Franz Xaver Süssmayr's letter to Breitkopf & amp; Härtel (1800)Select bibliography; Index. 
520 |a A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance. 
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