Cargando…

Network Nations : a Transnational History of British and American Broadcasting.

In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition co...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hilmes, Michele
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Francis, Taylor & amp ; 2012.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Mi 4500
001 EBOOKCENTRAL_ocn804664052
003 OCoLC
005 20240329122006.0
006 m o d
007 cr un|||||||||
008 120806s2012 xx o 000 0 eng d
040 |a EBLCP  |b eng  |e pn  |c EBLCP  |d OCLCQ  |d MHW  |d OCLCQ  |d DEBSZ  |d OCLCQ  |d SGP  |d OCLCF  |d OCLCQ  |d OCLCO  |d OCLCL 
020 |a 9780203843208 
020 |a 0203843207 
029 1 |a DEBSZ  |b 431023816 
029 1 |a AU@  |b 000066115938 
035 |a (OCoLC)804664052 
050 4 |a PN1992.3.G7 H57 2011 
082 0 4 |a 384.550941 
049 |a UAMI 
100 1 |a Hilmes, Michele. 
245 1 0 |a Network Nations :  |b a Transnational History of British and American Broadcasting. 
260 |a Hoboken :  |b Taylor & amp ;  |a Francis,  |c 2012. 
300 |a 1 online resource (367 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Print version record. 
505 0 |a Front Cover; Network Nations; Copyright Page; Table of Contents; List of Abbreviations; Acknowledgements; Introduction: Thinking Transnationally--The Anglo- American Axis; Nations, National Identity, and the Transnational; Chapter Summary; Part 1: The Nations Imagine Radio, 1922-1938; 1. Chaos and Control; The Radio Corporation of America; Citizens and Entrepreneurs; British Caution; The Uses of Chaos; 2. National Broadcasting in Britain; Making the Nation as One Man; A Unified National Culture; Cultural Chaos and Change; 3. The "American System"; Local versus National; Networks and Affiliates. 
505 8 |a Debates and ChangePart 1: Conclusion: Towards Transnationalism; Part 2: Trans-Atlantic Convergence, 1938-1946; 4. Enormous Changes at the Last Minute; Listener Research; Offshore Commercial Competitors; Competition at Home: The Forces Programme; Reaching Out: The North American Service; 5. The Politics and Poetics of Neutrality; Radio, Rockefeller, and Reform; The Strange Case of WRUL; Culture in the Public Service; 6. In It Together: Wartime Radio; New: News; The North American Service: Transatlantic Programs; Reaching Across, and Down; Over T/Here: The American Forces Network. 
505 8 |a Part 2: Conclusion: Post-War VisionsPart 3: Television, Trade, and Transculturation, 1946-1975; 7. Disentangling and Differentiation, 1946-1955; The "Blue Book" and the Revolt Against Radio; The Beveridge Report and the American Other; Building Transnational Exchange: "Ivory Towers Sound" and Vision; Alistair Cooke, the Ford Foundation, and Omnibus; 8. New Directions and Disputes, 1955-1964; The Queen, the Chimp, and Commercial TV; Men in Tights: Mid-Atlantic Filmed Series; De-commercialization and a Network for Eggheads: TV Reforms, 1955-1964. 
505 8 |a Transnational Exchange and Co-Production: 1955-19649. Transatlantic Partnerships, 1964-1975; Sydney Newman and Transatlantic Drama; The Transatlantic Popular; PBS: The Great Society and the "Primarily British Service"; Co-Productions: If you can't beat 'em . . .; Part 3: Conclusion: Going Global; 10. Towards "Globalization"; How we Talk about Transnational Media; Final Points; Notes; Manuscript Collections; Bibliography; Index. 
520 |a In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition contrasting with the American commercial system--in fact they represent two sides of the same coin. Neither could have developed without the constant presence of the other, in terms not only of industry and policy but of aesthetics, culture, and creativity, despite a long history of oppositional rheto. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Television broadcasting  |z Great Britain  |x History. 
650 0 |a Television broadcasting  |z United States  |x History. 
650 6 |a Télévision  |z États-Unis  |x Histoire. 
650 7 |a Television broadcasting  |2 fast 
651 7 |a Great Britain  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
655 7 |a History  |2 fast 
758 |i has work:  |a Network nations (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGt3jTD4HhhwqhqpXD88cq  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Hilmes, Michele.  |t Network Nations : A Transnational History of British and American Broadcasting.  |d Hoboken : Taylor & amp; Francis, ©2012  |z 9780415883849 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=743913  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL743913 
994 |a 92  |b IZTAP