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Cutting performances : collage events, feminist artists, and the American avant-garde /
"A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the larger field of performance."--Cha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
2012.
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| Edición: | 1st pbk. ed. |
| Colección: | Theater--theory/text/performance.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contents
- Chapter One: Toward a Feminist Historiography of American Avant-Garde Performance: Theories and Contexts
- Chapter Two: Nude Descending Bleecker Street: Baroness Elsa von Freytag-Loringhoven and Performing Gender in New York Dada
- Chapter Three: Avant-Garde Performance, Collage Aesthetics, and Feminist Historiographies in Gertrude Stein�s 'The Mother of Us All'
- Chapter Four: Between Material and Matrix: Yoko Ono�s 'Cut Piece' and the Unmaking of Collage
- Chapter Five: Between Dialectics, Decorum, and Collage Sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967Chapter Six: Forget Fame: Valerie Solanas, the Simplest Surrealist Act, and the (Re)Assertion of Avant-Garde Priorities
- Conclusion: Collage and Community
- Notes
- Index