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Postcolonial Cinema Studies.
This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial h...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor & Francis,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ponzanesi, Sandra. | |
| 245 | 1 | 0 | |a Postcolonial Cinema Studies. |
| 260 | |a Hoboken : |b Taylor & Francis, |c 2011. | ||
| 300 | |a 1 online resource (273 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Postcolonial Cinema Studies; Copyright; Contents; Figures; Contributors; Acknowledgments; Introduction; Part I : Cinemas of empire; Introduction to Part I; Chapter 1: Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic; Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films; Chapter 3: The socialist historical film; Part II : Postcolonial cinemas: Unframing histories; Introduction to Part II; Chapter 4: From otherness "over there" to virtual presence: Camp de Thiaroye -- The Battle of Algiers -- Hidden. | |
| 505 | 8 | |a Chapter 5: Fraught frames: Fatima, L'Algérienne de Dakar and postcolonial quandariesChapter 6: Postcolonial relationalities in Philippe Faucon's Dans la vie; Chapter 7: The postcolonial condition of "Indochinese" cinema from Việt Nam, Cambodia, and Laos; Part III : Postcolonial cinemas: postcolonial aesthetics; Introduction to Part III; Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation; Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor. | |
| 505 | 8 | |a Chapter 10: The postcolonial circus: Maurizio Nichetti's Luna e l'altraChapter 11: Postcolonial adaptations: gained and lost in translation; Part IV : Postcolonial cinemas and globalization; Introduction to Part IV; Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men; Chapter 13: Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence; Chapter 14: Nollywood in transit: The globalization of Nigerian video culture; Chapter 15: Postface: An interview with Priya Jaikumar; Index. | |
| 520 | |a This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology. Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neocolonial histori. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 0 | |a Imperialism in motion pictures. | |
| 650 | 0 | |a Nationalism in motion pictures. | |
| 650 | 0 | |a Intercultural communication in motion pictures. | |
| 650 | 0 | |a Culture in motion pictures. | |
| 650 | 0 | |a Multiculturalism in motion pictures. | |
| 650 | 0 | |a Motion pictures and globalization. | |
| 650 | 4 | |a Culture in motion pictures. | |
| 650 | 4 | |a Imperialism in motion pictures. | |
| 650 | 4 | |a Intercultural communication in motion pictures. | |
| 650 | 4 | |a Motion pictures |x Political aspects. | |
| 650 | 4 | |a Nationalism in motion pictures. | |
| 650 | 6 | |a Impérialisme au cinéma. | |
| 650 | 6 | |a Nationalisme au cinéma. | |
| 650 | 6 | |a Communication interculturelle au cinéma. | |
| 650 | 6 | |a Culture au cinéma. | |
| 650 | 6 | |a Multiculturalisme au cinéma. | |
| 650 | 6 | |a Cinéma et mondialisation. | |
| 650 | 6 | |a Cinéma |x Aspect politique. | |
| 650 | 7 | |a Multiculturalism in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 650 | 7 | |a Intercultural communication in motion pictures |2 fast | |
| 650 | 7 | |a Culture in motion pictures |2 fast | |
| 650 | 7 | |a Imperialism in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures and globalization |2 fast | |
| 650 | 7 | |a Nationalism in motion pictures |2 fast | |
| 700 | 1 | |a Waller, Marguerite. | |
| 758 | |i has work: |a Postcolonial cinema studies (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGm6wYhYqDGD3YtpHmXKh3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Ponzanesi, Sandra. |t Postcolonial Cinema Studies. |d Hoboken : Taylor & Francis, ©2011 |z 9780415782289 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=957740 |z Texto completo |
| 938 | |a 123Library |b 123L |n 89221 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL957740 | ||
| 994 | |a 92 |b IZTAP | ||