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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition.
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music-the formal, harmonic,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor & Francis,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn798533324 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr unu|||||||| | ||
| 008 | 121121s2012 xx o 000 0 eng d | ||
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| 020 | |a 9780203121832 | ||
| 020 | |a 020312183X | ||
| 020 | |z 9780415806657 | ||
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| 035 | |a (OCoLC)798533324 | ||
| 050 | 4 | |a MT6 ǂb B294 2012eb | |
| 082 | 0 | 4 | |a 780.9033 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Beach, David. | |
| 245 | 1 | 0 | |a Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. |
| 260 | |a Hoboken : |b Taylor & Francis, |c 2012. | ||
| 300 | |a 1 online resource (385 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key. | |
| 505 | 8 | |a A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments. | |
| 505 | 8 | |a 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments. | |
| 505 | 8 | |a 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works. | |
| 500 | |a Index of Names and Terms. | ||
| 520 | |a Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music-the formal, harmonic, rhythmic, and voice-leading organizations-as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, s. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Harmony |x Textbooks. | |
| 650 | 0 | |a Musical analysis |x Textbooks. | |
| 650 | 0 | |a Musical form |x Textbooks. | |
| 650 | 7 | |a Harmony |2 fast | |
| 650 | 7 | |a Musical analysis |2 fast | |
| 650 | 7 | |a Musical form |2 fast | |
| 655 | 7 | |a Textbooks |2 fast | |
| 700 | 1 | |a McClelland, Ryan. | |
| 758 | |i has work: |a Analysis of 18th- and 19th-century musical works in the classical tradition (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFRpm7j8YBPDWQ63rtKFBq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Beach, David. |t Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. |d Hoboken : Taylor & Francis, ©2012 |z 9780415806657 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=957576 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL957576 | ||
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