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Music and Twentieth-Century Tonality : Harmonic Progression Based on Modality and the Interval Cycles.

This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systemat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Susanni, Paolo
Otros Autores: Antokoletz, Elliott
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor & Francis, 2012.
Colección:Routledge studies in music theory.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Music and Twentieth-Century Tonality :  |b Harmonic Progression Based on Modality and the Interval Cycles. 
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505 0 |a Cover; Music and Twentieth-Century Tonality; Copyright; Dedication; Contents; List of Tables and Figures; Preface; Acknowledgments; 1. General Concepts; 2. Interval Cycles; 3. Compound Cyclic Collections; 4. Inversional Symmetry and the Axis Concept; 5. Modes; 6. Modal/Cyclic Relationships; 7. Harmonic Structures, Pitch Cells, and Cyclic Tetrachords; Notes; Bibliography; Index to Compositions; General Index. 
520 |a This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transform. 
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