Postcommunist Film - Russia, Eastern Europe and World Culture : Moving Images of Post-Communism.

A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by nat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kristensen, Lars Lyngsgaard Fjord
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor & Francis, 2012.
Colección:Routledge contemporary Russia and Eastern Europe series.
Temas:
Motion pictures > Social aspects > Russia (Federation)
Motion pictures > Political aspects > Russia (Federation)
Motion pictures > Social aspects > Europe, Eastern.
Motion pictures > Political aspects > Europe, Eastern.
Post-communism > Social aspects > Russia (Federation)
Post-communism > Social aspects > Europe, Eastern.
Cinéma > Aspect social > Russie.
Cinéma > Aspect politique > Russie.
Cinéma > Aspect social > Europe de l'Est.
Cinéma > Aspect politique > Europe de l'Est.
Postcommunisme > Aspect social > Russie.
Postcommunisme > Aspect social > Europe de l'Est.
Motion pictures > Political aspects
Motion pictures > Social aspects
Post-communism > Social aspects
Eastern Europe
Russia (Federation)
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Front Cover; Postcommunist Film
  • Russia, Eastern Europe and World Culture; Copyright Page; Contents; Figures; Foreword; Acknowledgements; Notes on contributors; Introduction: Lars Kristensen; Part l: Cultural strategies, industry and reception; 1. National identity in post-9/11 transnational cinema: Jasmijn Van Gorp; 2. Baltic cinema: Zoe Aiano; 3. Belgrade as New York: Vlastimir Sudar; 4. 'Haven't you heard of internationalism?': Ros Gray; 5. The remains of socialist realism: Lars Kristensen; 6. Spotting the eagle on Anglophone turf: Bruce Williams; Part ll: People, place and nation.
  • 7. Demolish, preserve or beautify: Ewa Mazierska8. Treading new paths: Sune Bechmann Pedersen; 9. The crime that changed Serbia: Nevena Daković; 10. Projected nation and projected self: Yun-Hua Chen; 11. Truancy, or thought from the provinces: Yün Peng; 12. Representations of former USSR and Eastern European identity in Turkish cinema: Serazer Pekerman; References; Index.

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