Genealogy and Ontology of the Western Image and its Digital Future.
With the emerging dominance of digital technology, the time is ripe to reconsider the nature of the image. Some say that there is no longer a phenomenal image, only disembodied information (0-1) waiting to be configured. For photography, this implies that a faith in the principle of an "evident...
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Hoboken :
Taylor & amp; Francis,
2012.
|
Colección: | Routledge advances in art and visual studies.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Genealogy and Ontology of the Western Image and its Digital Future; Copyright; Dedication; Contents; List of Figures; Acknowledgements; Introduction--'Genealogy', 'Ontology', 'Western Image' and the 'Digital'; Part I: Genealogy and Ontology (Paradigms); 1. The Image in Plato and the Greek World; PART 1; PART 2; PART 3; 2. The Byzantine Image; 3. The Renaissance Image; 4. Transparency and Opacity--The Image in Rousseau, Diderot, Hume and Kant; 5. The Industrial Image; Part II: The Image in Photography and Cinema and its Digital Future.
- 6. Some Fallacies and Truths Concerning the Image in Old and New Media7. Barthes and Benjamin on the Photographic Image and Time; 8. The Image and Beauty in Relation to Visual Digital Art; 9. The Time-Image; Notes; References; Index.