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Entering the Picture : Judy Chicago, the Fresno Feminist Art Program, and the Collective Visions of Women Artists.

In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and perfor...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fields, Jill
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor & Francis, 2011.
Colección:New directions in American history.
Temas:
Acceso en línea:Texto completo

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245 1 0 |a Entering the Picture :  |b Judy Chicago, the Fresno Feminist Art Program, and the Collective Visions of Women Artists. 
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505 0 |a Cover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in California. 
505 8 |a Section II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture. 
505 8 |a 14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18. Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy. 
505 8 |a 22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; Index. 
520 |a In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art -- including the famous ""Cunt Cheerleaders""--Were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and sch. 
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