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Retheorizing Shakespeare through Presentist Readings.

This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naive surrealism" as the performative model of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: O'Rourke, James
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor & amp; Francis, 2011.
Colección:Routledge studies in Shakespeare.
Acceso en línea:Texto completo

MARC

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505 0 |a Retheorizing Shakespeare through Presentist Readings; Copyright; Contents; Permissions; Frequently Cited Texts; Introduction: Retheorizing Shakespeare; 1 Spectres of Intention: Epic Theatre and the Lessons of Theory; 2 Boys Will Be Boys: Subtexts and Afterthoughts in the Comedies; 3 Racism and Homophobia in The Merchant of Venice; 4 Love and Object-Cathexis in Troilus and Cressida: Just One of Those Things; 5 The Exotic/Erotic and the Group: Othello; 6 King Lear and the Art of Dying; Notes; Performance Bibliography; Index. 
520 |a This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naive surrealism" as the performative model of the early modern, urban, public theater, James O'Rourke demonstrates how this Brechtian model is able to capture the full range of interplays that could take place between Shakespeare's words, the nonillusionist performance devices of the early modern stage, and the live audiences that shared the ph. 
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