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00000cam a2200000M 4500 |
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EBOOKCENTRAL_ocn798209483 |
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OCoLC |
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20240329122006.0 |
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m o d |
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cr un|---uuuuu |
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120702s2012 xx o 000 0 eng d |
040 |
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|a IDEBK
|b eng
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|d OCLCQ
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|d MERUC
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019 |
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|a 817095302
|a 1162163906
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|a 1280874600
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|a 9781280874604
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|a 1136500278
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|a 9781136500275
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|a 0203143329
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|a 9780203143322
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|a DEBSZ
|b 423099973
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|a (OCoLC)798209483
|z (OCoLC)817095302
|z (OCoLC)1162163906
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050 |
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|a PN1995.9.S26
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072 |
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|a JFD
|2 bicssc
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0 |
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|a 791.43/615
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|a UAMI
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245 |
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|a Science Fiction.
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260 |
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|b Taylor & Francis
|c 2012.
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300 |
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|a 1 online resource (257 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Cover -- Title -- Copyright -- CONTENTS -- Introduction -- 1 The science in science fiction -- The sound (and look) of science -- The critical potential, pleasures and politics of 'bad' science -- Unpicking science's self-image -- The social subjectivity of (mad) scientists -- The schizoid scientist, sexual terror and political complicity -- Women in the lab: body parts -- Women in the lab: scientists -- Conclusion -- 2 Sf, spectacle and self-reflexivity -- Attractions -- Spectacle, narrative and affect -- Special effects and immersivity -- The sublime -- The grotesque -- Camp -- Self-reflexivity: inanimating the animate, animating the inanimate -- Self-reflexivity: surveillance, interpellation, reification, death -- Conclusion -- 3 Sf, colonialism and globalisation -- Sf, cinema and the colonial imagination -- Sf's colonial imaginary -- Post-imperial melancholy in British sf -- Race and anti-imperialism in US countercultural sf -- Neo-liberalism and the sf of deindustrialisation -- Sf figurations of neoliberal spaces -- Representations of labour in contemporary sf -- Conclusion -- Notes -- Bibliography -- Index.
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|a Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction's evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre's representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues under the Sea (1916) L'Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jetée (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) Avatar (2009).
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546 |
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Motion pictures
|x History.
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650 |
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|a Science fiction films.
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650 |
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6 |
|a Cinéma
|x Histoire.
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650 |
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6 |
|a Films de science-fiction.
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650 |
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7 |
|a Motion pictures
|2 fast
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650 |
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7 |
|a Science fiction films
|2 fast
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650 |
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7 |
|a Music, Dance, Drama & Film.
|2 hilcc
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650 |
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7 |
|a Film.
|2 hilcc
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655 |
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7 |
|a History
|2 fast
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720 |
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|a Dr Mark Bould, Mark.
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776 |
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|z 0-415-45810-2
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=981932
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL981932
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 371591
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994 |
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|a 92
|b IZTAP
|