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The last Pre-Raphaelite : Edward Burne-Jones and the Victorian imagination /

While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: MacCarthy, Fiona
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, MA : Harvard University Press, 2012, ©2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a MacCarthy, Fiona. 
245 1 4 |a The last Pre-Raphaelite :  |b Edward Burne-Jones and the Victorian imagination /  |c Fiona MacCarthy. 
260 |a Cambridge, MA :  |b Harvard University Press,  |c 2012, ©2011. 
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504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
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505 0 |a ""Contents""; ""List of Illustrations ""; ""Family Tree""; ""Preface ""; ""1. Birmingham 1833â€?52 ""; ""2. Oxford 1853â€?5 ""; ""3. Northern France 1855 ""; ""4. Early London 1856â€?7 ""; ""5. Little Holland House 1858 ""; ""6. First Italian Journey 1859 ""; ""7. Russell Place 1860â€?2 ""; ""8. Second Italian Journey 1862 ""; ""9. Great Russell Street 1862â€?4 ""; ""10. Kensington Square 1865â€?7 ""; ""11. The Grange, One 1868â€?71 ""; ""12. Third Italian Journey 1871 ""; ""13. The Grange, Two 1872 ""; ""14. Fourth Italian Journey 1873 ""; ""15. The Grange, Three 1874 "" 
505 8 |a ""16. The Grosvenor Gallery 1877â€?80 """"17. Rottingdean, One 1881â€?2 ""; ""18. The Grange, Four 1883 ""; ""19. The Grange, Five 1884 ""; ""20. Rome 1885 ""; ""21. The Royal Academy 1885â€?7 ""; ""22. Rottingdean, Two 1888â€?9 ""; ""23. Mells 1890â€?3 ""; ""24. Kelmscott, One 1894â€?5 ""; ""25. Kelmscott, Two 1895â€?6 ""; ""26. Avalon 1897â€?8 ""; ""27. Memorials 1898â€?1916 ""; ""Epilogue: The Return of King Arthur 2008 ""; ""Sources and References ""; ""Acknowledgements ""; ""Index "" 
546 |a English. 
520 |a While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention to enter the clergy, when he--together with Morris--vowed to throw over the Church in favor of art. In Fiona MacCarthy's riveting account of Burne-Jones's life, that exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.In MacCarthy's hands, Burne-Jones emerges as a great visionary painter, a master of mystic reverie, and a pivotal late nineteenth-century cultural and artistic figure. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan painters.Drawing on extensive research, MacCarthy offers a fresh perspective on the achievement of Burne-Jones, a precursor to the Modern, and tells the dramatic, fascinating story of this peculiarly captivating and elusive man. 
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600 1 0 |a Burne-Jones, Edward Coley,  |c Sir,  |d 1833-1898. 
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650 0 |a Pre-Raphaelites  |z Great Britain  |v Biography. 
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650 7 |a Biography: Arts & Entertainment.  |2 bicssc 
650 7 |a Art & Design Styles: Pre-Raphaelite Art.  |2 bicssc 
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776 0 8 |i Print version:  |a MacCarthy, Fiona.  |t Last Pre-Raphaelite.  |d Cambridge, MA : Harvard University Press, 2012  |z 9780674065796  |w (DLC) 2011045675  |w (OCoLC)758383305 
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