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The cinema of Tarkovsky : labyrinths of space and time /

The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the ar...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Skakov, Nariman, 1978-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : I.B. Tauris, 2012.
Colección:KINO, the Russian cinema series.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a List of Illustrations; Acknowledgements; Note on Transliteration; ON SPACE(S) AND TIME(S); 1. DREAMS OF IVAN'S CHILDHOOD; 2. VISIONS OF ANDREI RUBLEV; 3. PHANTASIES OF SOLARIS; 4. MEMORIES OF MIRROR; 5. REVELATIONS OF STALKER; 6. RECOLLECTIONS OF NOSTALGHIA; 7. ILLUSIONS OF SACRIFICE; POSTSCRIPT; NOTES; FILMOGRAPHY AND CREDITS; BIBLIOGRAPHY; INDEX. 
520 |a The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the line. 
504 |a Includes bibliographical references and index. 
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600 1 0 |a Tarkovskiĭ, Andreĭ Arsenʹevich,  |d 1932-1986  |x Criticism and interpretation. 
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650 0 |a Motion pictures  |x Political aspects  |z Russia (Federation)  |y 20th century. 
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