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Expressive intersections in Brahms : essays in analysis and meaning /
Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Rober...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
©2012.
|
| Colección: | Musical meaning and interpretation.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Expressive intersections in Brahms : |b essays in analysis and meaning / |c [edited by] Heather Platt and Peter H. Smith. |
| 260 | |a Bloomington : |b Indiana University Press, |c ©2012. | ||
| 300 | |a 1 online resource. | ||
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| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual r. | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Part 1; 1. "The Wondrous Transformation of Thought into Sound": Some Preliminary Reflections on Musical Meaning in Brahms; 2. The Learned Self: Artifice in Brahms's Late Intermezzi; Part 2; 3. "Alte Liebe" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy; 4. Brahms's Mädchenlieder and Their Cultural Context; 5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen; Part 3; 6. Sequence as Expressive Culmination in the Chamber Music of Brahms; 7. "Phantasia subitanea": Temporal Caprice in Brahms's op. 116, nos. 1 and 78. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D minor, op. 15; 9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms; Selected Bibliography; List of Contributors; Index of Brahms's Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Brahms, Johannes, |d 1833-1897 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Brahms, Johannes, |d 1833-1897 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 |
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| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 655 | 4 | |a Aufsatzsammlung. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Platt, Heather Anne, |e editor. | |
| 700 | 1 | |a Smith, Peter Howard, |e editor. | |
| 758 | |i has work: |a Expressive intersections in Brahms (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGBV97qJgQV77xVwMcQHyb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Expressive intersections in Brahms. |d Bloomington : Indiana University Press, ©2012 |z 9780253357052 |w (DLC) 2011031951 |w (OCoLC)696100060 |
| 830 | 0 | |a Musical meaning and interpretation. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=670284 |z Texto completo |
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