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Audacious euphony : chromatic harmony and the triad's second nature /
Reconstructing historical conceptions of harmonic distance 'Audacious Euphony' advances a geometric model appropriate to understanding triadic progressions characteristic of 19th-century music.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York ; Oxford :
Oxford University Press,
2012.
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| Colección: | Oxford studies in music theory.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn794925477 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 120302s2012 nyu fob 001 0 eng d | ||
| 040 | |a StDuBDS |b eng |e pn |c UAB |d OCLCQ |d OCLCF |d OCLCO |d EBLCP |d OCLCQ |d STBDS |d CUS |d DEBBG |d LHU |d YOU |d OCLCQ |d MUB |d OCLCO |d CNTRU |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1164739243 | ||
| 020 | |a 0199932239 |q (ebook) | ||
| 020 | |a 9780199932238 |q (ebook) | ||
| 029 | 1 | |a AU@ |b 000052555327 | |
| 035 | |a (OCoLC)794925477 |z (OCoLC)1164739243 | ||
| 050 | 4 | |a MT50 |b .C736 2012 | |
| 082 | 0 | 4 | |a 781.25 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cohn, Richard Lawrence, |d 1955- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJpPyFY94wBWT9gphbQDv3 | |
| 245 | 1 | 0 | |a Audacious euphony : |b chromatic harmony and the triad's second nature / |c Richard Cohn. |
| 260 | |a New York ; |a Oxford : |b Oxford University Press, |c 2012. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Oxford studies in music theory | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Reconstructing historical conceptions of harmonic distance 'Audacious Euphony' advances a geometric model appropriate to understanding triadic progressions characteristic of 19th-century music. | |
| 588 | 0 | |a Online resource; title from PDF title page (viewed on Mar. 5, 2012). | |
| 505 | 0 | |a Cover; Contents; Introduction; About the Companion Web Site; 1 Mapping the Triadic Universe; Three Ways to Calculate Triadic Distance; Triads in Chromatic Space; Remarks on Syntax and Maps; 2 Hexatonic Cycles; A Minimal-Work Model of the Triadic Universe; The Hexatonic Trance; Contrary Motion and Balance; Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations; Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads ; Remarks on Dualism; Triadic Structure Generates Pan-Triadic Syntax; Triads Are Homophonous Diamorphs; 3 Reciprocity | |
| 505 | 8 | |a The Historical Emergence of Augmented TriadsConsonance/Dissonance Reciprocity; Two Early-Century Examples: Beethoven and Schubert; Three Late-Century Examples: Liszt, Rimsky-Korsakov, Fauré; Reciprocity in Weitzmann's Der Ubermässige Dreiklang; 4 Weitzmann Regions; The Structure of a Weitzmann Region; Weitzmann Transformations and N/R Cycles; Remarks on the Tonnetz; Historical Origins of Weitzmann Regions; The Double-Agent Complex; Expanded N/R Chains; Weitzmann Regions without Sequences: Wagner and Strauss; 5 A Unified Model of Triadic Voice-Leading Space | |
| 505 | 8 | |a 8 Syntactic Interaction and the Convertible TonnetzSome Previous Proposals; The Diatonic Tonnetz; Horizontal Extensions; Vertical Extensions; The Convertible Tonnetz; Two Analytical Vignettes: Wagner and Brahms; 9 Double Syntax and the Soft Revolution; A Summary Example from Schubert; Double Syntax and Its Skeptics; Code Switching and Double Determination; Cognitive Opacity; The Soft Revolution; On Musical Overdetermination; Glossary; A; B; C; D; G; H; I; L; N; O; P; R; S; T; U; V; W; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Harmony. | |
| 650 | 0 | |a Triads (Music) | |
| 650 | 6 | |a Harmonie. | |
| 650 | 6 | |a Accords parfaits (Musique) | |
| 650 | 7 | |a Harmony |2 fast | |
| 650 | 7 | |a Triads (Music) |2 fast | |
| 776 | 0 | 8 | |i Print version |z 9780199772698 |
| 830 | 0 | |a Oxford studies in music theory. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3054477 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL3054477 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0000062047 | ||
| 994 | |a 92 |b IZTAP | ||