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Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits /
A study of the theory and practice of seventeenth-century Dutch group portraits, 'Manhood, Marriage, & Mischief' offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as w...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2007.
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| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part One: Group Portraits and the Fictions of the Pose
- Toward the Interpretation of Performance Anxiety
- Portraiture and the Fictions of the Pose
- The Posographical Imperative: A Comparison of Genres
- Group Portraiture: Coming Together and Coming Apart
- Alois Riegl and the Posographical Imperative
- Performance Anxiety and the Belated Viewer
- Part Two: Militias and Marriage
- Male Bondage and the Military Imperative
- Social Sources of Performance Anxiety
- Part Three Picturing Family Values
- The Preacher's Wife
- Women with Elbows
- Families Making Music
- Part Four: 'The Night Watch' As Homosocial Pastoral
- The Night Watch: How the Sandbank Crumbles
- Evasive Action: Three Ways to Shore Up the Sandbank
- Captain Cocq and the Unruly Musketeer
- Disaggregation as Class Conflict
- Manual Mischief: The Loneliness of the Red Musketeer
- Between Stad and Stadholder: Captain Cocq's Dilemma
- Posographical Misfires
- An Odd Couple: the Ghost of Anslo's Wife
- Coda: Playing Soldier.