Cargando…

Wildlife films /

If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world--particularly wild animals. The television fare offered nightly by national and cable...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bouse, Derek
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, ©2000.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Ma 4500
001 EBOOKCENTRAL_ocn794702274
003 OCoLC
005 20240329122006.0
006 m o d
007 cr |||||||nn|n
008 000307s2000 paua obd 000 0 eng d
010 |z  00028676  
040 |a CN8ML  |b eng  |e pn  |c CN8ML  |d OCLCO  |d OCLCQ  |d IDEBK  |d E7B  |d JSTOR  |d P@U  |d OCLCF  |d OCLCE  |d OCLCQ  |d HEBIS  |d YDXCP  |d EBLCP  |d OCLCQ  |d AZK  |d OCLCQ  |d COCUF  |d MOR  |d PIFAG  |d ZCU  |d OCLCQ  |d MERUC  |d OCLCQ  |d IOG  |d OCLCO  |d DEGRU  |d DEBBG  |d DEBSZ  |d EZ9  |d OCLCQ  |d U3W  |d STF  |d WRM  |d ICG  |d TXC  |d OCLCA  |d OCLCQ  |d VT2  |d AU@  |d OCLCQ  |d WYU  |d G3B  |d LVT  |d OCLCQ  |d DKC  |d OCLCQ  |d NJT  |d OCLCQ  |d UKCRE  |d VLY  |d MM9  |d INARC  |d OCLCQ  |d NRAMU  |d CRU  |d LEAUB  |d U9X  |d CNNOR  |d VHC  |d OCLCO  |d OCLCQ  |d OCLCO  |d OCLCL 
019 |a 623586716  |a 681184875  |a 909777609  |a 929157807  |a 932312751  |a 956751628  |a 961604542  |a 962707971  |a 975689601  |a 979756466  |a 988414229  |a 991925593  |a 992821926  |a 1013954259  |a 1037940959  |a 1037983179  |a 1038682094  |a 1041982023  |a 1044667282  |a 1045112620  |a 1045501054  |a 1055403937  |a 1058112943  |a 1065708615  |a 1076654414  |a 1081232963  |a 1153539555  |a 1162217082  |a 1195478102  |a 1228574358  |a 1275416630  |a 1276769987  |a 1290099722  |a 1303442230 
020 |a 9780812205848  |q (electronic bk.) 
020 |a 0812205847  |q (electronic bk.) 
020 |z 081223555X  |q (cloth ;  |q alk. paper) 
020 |z 0812217284  |q (pbk. ;  |q alk. paper) 
020 |z 9780812217285 
020 |z 9780812235555  |q (cloth ;  |q alk. paper) 
020 |a 1283897261 
020 |a 9781283897266 
024 7 |a 10.9783/9780812205848  |2 doi 
029 1 |a AU@  |b 000053298174 
029 1 |a DEBBG  |b BV042521438 
029 1 |a DEBBG  |b BV044117922 
029 1 |a DEBSZ  |b 446784710 
029 1 |a GBVCP  |b 1003702562 
029 1 |a NZ1  |b 15344808 
029 1 |a AU@  |b 000068438394 
035 |a (OCoLC)794702274  |z (OCoLC)623586716  |z (OCoLC)681184875  |z (OCoLC)909777609  |z (OCoLC)929157807  |z (OCoLC)932312751  |z (OCoLC)956751628  |z (OCoLC)961604542  |z (OCoLC)962707971  |z (OCoLC)975689601  |z (OCoLC)979756466  |z (OCoLC)988414229  |z (OCoLC)991925593  |z (OCoLC)992821926  |z (OCoLC)1013954259  |z (OCoLC)1037940959  |z (OCoLC)1037983179  |z (OCoLC)1038682094  |z (OCoLC)1041982023  |z (OCoLC)1044667282  |z (OCoLC)1045112620  |z (OCoLC)1045501054  |z (OCoLC)1055403937  |z (OCoLC)1058112943  |z (OCoLC)1065708615  |z (OCoLC)1076654414  |z (OCoLC)1081232963  |z (OCoLC)1153539555  |z (OCoLC)1162217082  |z (OCoLC)1195478102  |z (OCoLC)1228574358  |z (OCoLC)1275416630  |z (OCoLC)1276769987  |z (OCoLC)1290099722  |z (OCoLC)1303442230 
042 |a dlr 
050 4 |a TR893.5  |b B68 2000 
072 7 |a NAT001000  |2 bisacsh 
082 0 4 |a 778.5/3859  |2 21 
084 |a 24.34  |2 bcl 
049 |a UAMI 
100 1 |a Bouse, Derek. 
245 1 0 |a Wildlife films /  |c Derek Bouse. 
260 |a Philadelphia :  |b University of Pennsylvania Press,  |c ©2000. 
300 |a 1 online resource (xv, 280 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
380 |a Dictionary 
500 |a OldControl:muse9780812205848. 
504 |a Includes bibliographical references (pages 249-265). 
588 0 |a Print version record. 
505 0 0 |t The Problem of Images --  |t A Brief History of a Neglected Tradition --  |t Science and Storytelling --  |t The Classic Model --  |t Family Values, Social Mores, Behavioral Norms --  |t Nature Designed and Composed --  |t Chronological Highlights from the History of Wildlife and Natural History Films. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
583 1 |a digitized  |c 2010  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
520 |a If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world--particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films that so many viewers take as accurate portrayals of wildlife, however, have evolved primarily as a form of entertainment, following the established codes and conventions of narrative exposition. The result has been not the representation of nature, but its wholesale reconstruction and reconfiguration according to film and television conventions, audience expectations, and the demands of competition in the media marketplace. Wildlife Films traces the genealogy of the nature film, from its origins as the "animal locomotion" studies that mark the very beginnings of motion pictures themselves, to the founding of the Animal Planet cable channel that boasts "all animals, all the time." The narrative and thematic elements that unite wildlife films as a genre have their roots not in the documentary film tradition, but in the older traditions of oral and written animal fables as reflections of human society. Derek Bousé contends that classic wildlife films often portray animal protagonists living in families modeled on an ideal of the human nuclear family and working in communities that resemble an ideal of bucolic human society. In these stories--presented as documentaries--animals are motivated by human emotions and conduct relationships according to human customs. This imposition of culturally satisfying narrative patterns upon the lives of animals has not only led to the misrepresentation of the natural world; it has promoted the notion that our values, our moral vision, our models of society and family structure derive from nature, rather than being cultural formations. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Wildlife cinematography. 
650 6 |a Films animaliers. 
650 7 |a NATURE  |x Animals  |x General.  |2 bisacsh 
650 7 |a Wildlife cinematography  |2 fast 
650 7 |a Naturfilm  |2 gnd 
650 1 7 |a Natuurfilms.  |2 gtt 
653 |a "Multi-User" 
758 |i has work:  |a Wildlife Films (Text)  |1 https://id.oclc.org/worldcat/entity/E39PD39JDV9DDc6rqbhQFC47RC  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Bousé, Derek.  |t Wildlife films.  |d Philadelphia : University of Pennsylvania Press, ©2000  |w (DLC) 00028676  |w (OCoLC)43615780 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3441988  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9780812205848 
938 |a EBL - Ebook Library  |b EBLB  |n EBL3441988 
938 |a ebrary  |b EBRY  |n ebr10642740 
938 |a ProQuest MyiLibrary Digital eBook Collection  |b IDEB  |n cis24444390 
938 |a Project MUSE  |b MUSE  |n muse17944 
938 |a YBP Library Services  |b YANK  |n 9970981 
938 |a Internet Archive  |b INAR  |n wildlifefilms0000bous 
994 |a 92  |b IZTAP