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20240329122006.0 |
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120604s1978 gw o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d DEBBG
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|d OCLCQ
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|a 9783110809923
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|a 3110809923
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|a DEBBG
|b BV042350316
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|a DEBBG
|b BV044165659
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|a DEBSZ
|b 435469975
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|a (OCoLC)794664486
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|a ND1049.T3 .P58 1978
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|a 759.951
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|a UAMI
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| 100 |
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|a Coleman, Earle Jerome.
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|a Philosophy of Painting by Shih-T'ao :
|b a Translation and Exposition of his Hua-P'u (Treatise on the Philosophy of Painting).
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| 260 |
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|a Berlin :
|b De Gruyter Mouton,
|c 1978.
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| 300 |
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|a 1 online resource (148 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a Studies in Philosophy ;
|v v. 19
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|a Preface; Introduction; Austere Sublimity of lofty Dryness (Koko); Subtle Profundity or Deep Reserve (Yugen); Simplicity (Kanso); Tranquility (Sei Jaku); Freedom from Attachment (Datsu Zoku); I. Oneness of Brush Strokes (I-Hua); II. Concealment in Nondifferentation (Mêng Yang); III. Harmonious Atmosphere (Yin Yün); IV. Sublimity as Aesthetic Achievement (Yüan Ch'en); V. Emptiness Versus Solidity ((Hsü Shih); VI. Living Spirit (Shêng Huo); VII. Liberation from Method (Liao Fa); A Biographical Sketch; A Note on the Chinese Scripts; A Discussion of Previous English Translations.
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|a 1. Oneness of Brush Strokes2. Liberation from Methods; 3. Transformation and Freedom; 4. The Value of Inborn Nature; 5. Unity of Brush Strokes and Ink Wash; 6. Motions of the Wrist; 7. Harmonious Atmosphere; 8. Reality of Mountains and Rivers; 9. Landscapes Expressed by Various Lines; 10. Threee Planes and Two Grounds; 11. Six Essentials; 12. Forests and Trees; 13. Oceans and Waves; 14. Expressions of the Four Seasons; 15. Sublimity and the Commonplace; 16. Purity through Wu-Wei; 17. Origin of Heaven and Completion by Man; 18. Creativity and the Fulfillment of Nature.
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|a The Uninterrupted Translation1. Oneness of Brush Strokes; 2. Liberation from Methods; 3. Transformation and Freedom; 4. The Value of Inborn Nature; 5. Unity of Brush Strokes and Ink Wash; 6. Motions of the Wrist; 7. Harmonious Atmosphere; 8. Reality of Mountains and Rivers; 9. Landscapes Expressed by Various Lines; 10. Three Planes and Two Grounds; 11. Six Essentials; 12. Forests and Trees; 13. Oceans and Waves; 14. Expressions of the Four Seasons; 15. Sublimity and the Commonplace; 16. Purity through Wu-Wei; 17. Origin of Heaven and Completion by Man.
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|a 18. Creativity and the Fulfillment of NatureFinal Remarks; Bibliography.
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| 588 |
0 |
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|a Print version record.
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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|a Painting
|x Philosophy.
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| 650 |
|
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|a Peinture
|x Philosophie.
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| 650 |
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7 |
|a Painting
|x Philosophy
|2 fast
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| 758 |
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|i has work:
|a Philosophy of painting by Shih-Tʻao (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGKt4RQW66CHdx7FF8Ryv3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
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|i Print version:
|a Coleman, Earle J.
|t Philosophy of Painting by Shih-T'ao : A Translation and Exposition of his Hua-P'u (Treatise on the Philosophy of Painting).
|d Berlin : De Gruyter Mouton, ©1978
|z 9789027977564
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| 830 |
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0 |
|a Studies in Philosophy.
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=929281
|z Texto completo
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| 938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL929281
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| 938 |
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|a YBP Library Services
|b YANK
|n 7664445
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| 994 |
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|a 92
|b IZTAP
|
