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Mozart's chamber music with keyboard /
Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Mozart's Chamber Music with Keyboard; Title; Copyright; Contents; Figures; Contributors; Preface; Abbreviations; Journals; Pitch registers; 1: The chamber music with keyboard in Mozart biography; 2: Mozart's early chamber music with keyboard: traditions of performance, composition and commodification; 3: Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin; Defining features of Opus 1: two movements and dance finales; Tonal organisation of the 1778 Opus 1; Violin and fortepiano idiom; Tessitura; Partnerships; Finales.
- 4: Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practicesMozart's 'Viennese' sonatas for keyboard and violin; Mozart as violinist; Ferdinand David; The Mozart text used by David and Mendelssohn; Werktreue and David's editorial practice; Modifications of note pitches and/or rhythms; Expressive range; Phrasing; Fingering, shifting and portamento; Harmonics, open strings and vibrato; Ornamentation; Bowing; 5: Mozart's keyboard trios: styles, textures and contexts; Contemporary Viennese repertory.
- Joseph Haydn's keyboard trios, Hob. XV:5-17Texture types in the Mozart trios; Chamber texture; K.498: a special case; Concerto texture; The trios in Mozart's oeuvre; Questions of performance; 6: A winning strike: the miracle of Mozart's 'Kegelstatt'; 7: An experiment in variation: the finale of Mozart's Piano Trio in G, K.496; 8: On instrumental sounds, roles, genres and performances: Mozart's piano quartets, K.478 and K.493; The first movement of K.478; The first movement of K.493; The slow movements and finales of K.478 and 493; Conclusion: Mozart's piano quartets in performance.
- 9: Enlarging the musical discourse: Mozart's Piano Quartet in G minor, K.478The exposition of the Allegro; The development and coda of the Allegro; The Andante and Rondeau; Conclusion; 10: Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452; 11: Inhabiting Mozart's chamber music: the fortepianist's tale; Equipment; Technique; Expression; 12: Reading between the lines: the notation and performance of Mozart's chamber music with keyboard; 13: Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard.
- Index of Mozart's works by Köchel numberGeneral index.