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Mozart's chamber music with keyboard /
Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Mozart's chamber music with keyboard / |c edited by Martin Harlow. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (xi, 287 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Cover; Mozart's Chamber Music with Keyboard; Title; Copyright; Contents; Figures; Contributors; Preface; Abbreviations; Journals; Pitch registers; 1: The chamber music with keyboard in Mozart biography; 2: Mozart's early chamber music with keyboard: traditions of performance, composition and commodification; 3: Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin; Defining features of Opus 1: two movements and dance finales; Tonal organisation of the 1778 Opus 1; Violin and fortepiano idiom; Tessitura; Partnerships; Finales. | |
| 505 | 8 | |a 4: Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practicesMozart's 'Viennese' sonatas for keyboard and violin; Mozart as violinist; Ferdinand David; The Mozart text used by David and Mendelssohn; Werktreue and David's editorial practice; Modifications of note pitches and/or rhythms; Expressive range; Phrasing; Fingering, shifting and portamento; Harmonics, open strings and vibrato; Ornamentation; Bowing; 5: Mozart's keyboard trios: styles, textures and contexts; Contemporary Viennese repertory. | |
| 505 | 8 | |a Joseph Haydn's keyboard trios, Hob. XV:5-17Texture types in the Mozart trios; Chamber texture; K.498: a special case; Concerto texture; The trios in Mozart's oeuvre; Questions of performance; 6: A winning strike: the miracle of Mozart's 'Kegelstatt'; 7: An experiment in variation: the finale of Mozart's Piano Trio in G, K.496; 8: On instrumental sounds, roles, genres and performances: Mozart's piano quartets, K.478 and K.493; The first movement of K.478; The first movement of K.493; The slow movements and finales of K.478 and 493; Conclusion: Mozart's piano quartets in performance. | |
| 505 | 8 | |a 9: Enlarging the musical discourse: Mozart's Piano Quartet in G minor, K.478The exposition of the Allegro; The development and coda of the Allegro; The Andante and Rondeau; Conclusion; 10: Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452; 11: Inhabiting Mozart's chamber music: the fortepianist's tale; Equipment; Technique; Expression; 12: Reading between the lines: the notation and performance of Mozart's chamber music with keyboard; 13: Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard. | |
| 505 | 8 | |a Index of Mozart's works by Köchel numberGeneral index. | |
| 520 | |a Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Instrumental music. |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Piano music. |
| 600 | 1 | 4 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |
| 630 | 0 | 7 | |a Instrumental music (Mozart, Wolfgang Amadeus) |2 fast |
| 630 | 0 | 7 | |a Piano music (Mozart, Wolfgang Amadeus) |2 fast |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |2 gnd |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |2 gnd |0 (DE-601)133447332 |
| 650 | 0 | |a Chamber music |y 18th century |x History and criticism. | |
| 650 | 6 | |a Musique de chambre |y 18e siècle |x Histoire et critique. | |
| 650 | 7 | |a Chamber music |2 fast | |
| 650 | 7 | |a Kammermusik |2 gnd | |
| 650 | 7 | |a Klaviermusik |2 gnd | |
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| 650 | 7 | |a Klaviermusik. |2 gnd |0 (DE-601)106267817 | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Kongress |z Manchester <2008>. |2 gnd | |
| 700 | 1 | |a Harlow, Martin. | |
| 776 | 0 | 8 | |i Print version: |z 9781107002487 |z 1107002486 |w (DLC) 2011036211 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=880714 |z Texto completo |
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