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The Neuro-Image : a Deleuzian Film-Philosophy of Digital Screen Culture.
Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Palo Alto :
Stanford University Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pisters, Patricia. | |
| 245 | 1 | 4 | |a The Neuro-Image : |b a Deleuzian Film-Philosophy of Digital Screen Culture. |
| 260 | |a Palo Alto : |b Stanford University Press, |c 2012. | ||
| 300 | |a 1 online resource (582 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Copyright; Title Page; Contents; Acknowledgments; Introduction. Schizoanalysis, Digital Screens, and New Brain Circuits; Part 1. Neuroscreens: Principles of the Brain; 1. Schizoid Minds, Delirium Cinema, and Powers of the Machines of the Invisible; 2. Illusionary Perception and Powers of the False; 3. Surveillance Screens and Powers of Affect; Part 2. Neurophilosophy: Turning Madness into Metaphysics; 4. Signs of Time: Metaphysics of the Brain-Screen; 5. Degrees of Belief: Epistemology of Probabilities; 6. Expressions of Creation: Aesthetics of Material-Forces. | |
| 505 | 8 | |a Part 3. Neuropolitics: Transnational Screen Connections7. The Open Archive: Cinema as World-Memory; 8. Divine In(ter)vention: Micropolitics and Resistance; 9. Logistics of Perception 2.0: Multiple Screens as Affective Weapons; Conclusion. The Neuro-Image: Brain-Screens from the Future; Notes; Index. | |
| 520 | |a Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains--Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theor. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Deleuze, Gilles, |d 1925-1995. |
| 600 | 1 | 7 | |a Deleuze, Gilles, |d 1925-1995 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtRKRmp8W3B73TxP6Dcyd |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion pictures |x History |y 21st century. | |
| 650 | 0 | |a Digital media |x Psychological aspects. | |
| 650 | 0 | |a Digital media |x Philosophy. | |
| 650 | 0 | |a Neurosciences and motion pictures. | |
| 650 | 6 | |a Cinéma |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Médias numériques |x Aspect psychologique. | |
| 650 | 6 | |a Médias numériques |x Philosophie. | |
| 650 | 6 | |a Neurosciences et cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a Digital media |x Philosophy |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Neurosciences and motion pictures |2 fast | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Pisters, Patricia. |t Neuro-Image : A Deleuzian Film-Philosophy of Digital Screen Culture. |d Palo Alto : Stanford University Press, ©2012 |z 9780804781350 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=915722 |z Texto completo |
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