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Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn /
Matthew Dirst examines the leading role of Bach's keyboard works in the creation of his historical legacy.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2012.
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| Colección: | Musical performance and reception.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |z 0521651603 |q (hardcover) | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Dirst, Matthew Charles, |e author. | |
| 245 | 1 | 0 | |a Engaging Bach : |b the keyboard legacy from Marpurg to Mendelssohn / |c Matthew Dirst. |
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2012. | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (202 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Musical Performance and Reception | |
| 505 | 0 | |a Cover; ENGAGING BACH; MUSICAL PERFORMANCE AND RECEPTION; Title; Copyright; Contents; Illustrations; Musical examples; Tables; Preface; Abbreviations; Part I The posthumous reassessment of selected works; chapter 1 Why the keyboard works?; Early judgments; A sharper focus on the keyboard works; New modes of understanding; chapter 2 Inventing the Bach chorale; Editions, subscriptions, and formats; Early reception; Bach vs. Telemann; chapter 3 What Mozart learned from Bach; Connecting Bach and Mozart; Mozart's early fugues; The 1782-1783 fugues and fugatos; Learning what not to do. | |
| 505 | 8 | |a Part II Divergent streams of reception in the early nineteenth centurychapter 4 A bürgerlicher Bach: turn-of-the-century German advocacy; The humble German genius; The idea and obligation of German music; German print culture and early-nineteenth-century advocacy; chapter 5 The virtuous fugue: English reception to 1840; Initial interest in England; Advocacy and adulation; English performance practice; chapter 6 Bach for whom? Modes of interpretation and performance, 1820-1850; The Viennese tradition; The Forkel tradition and the problematic virtuoso; Editions and their audiences; Epilogue. | |
| 500 | |a Select bibliographyIndex. | ||
| 520 | |a Matthew Dirst examines the leading role of Bach's keyboard works in the creation of his historical legacy. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 29, 2019). | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 7 | |a Bach, Johann Sebastian |d 1685-1750 |2 gnd |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |2 gnd |
| 650 | 0 | |a Keyboard instrument music |y 18th century |x History and criticism. | |
| 650 | 0 | |a Music |y 18th century |x History and criticism. | |
| 650 | 6 | |a Instrument à clavier, Musique d' |y 18e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 18e siècle |x Histoire et critique. | |
| 650 | 7 | |a Keyboard instrument music |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Klaviermusik |2 gnd | |
| 650 | 7 | |a Rezeption |2 gnd | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Engaging Bach (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFYXpX8k3TxFT3ccwbKQVP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Dirst, Matthew. |t Engaging Bach : The Keyboard Legacy from Marpurg to Mendelssohn. |d Cambridge : Cambridge University Press, ©2012 |z 9780521651608 |
| 830 | 0 | |a Musical performance and reception. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=866863 |z Texto completo |
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