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The Sacred and the Cinema : Reconfiguring the "Genuinely" Religious Film /

For more than half a centurynow, scholars have debated over what comprises a genuinely religious film onethat evinces an authentic manifestation of the sacred. Often these scholarsdo so by pitting the successful films against those which propagate aninauthentic spiritual experience with the biblical...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nayar, Sheila J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Continuum, 2012.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Sacred and the Cinema :  |b Reconfiguring the "Genuinely" Religious Film /  |c Sheila J. Nayar. 
260 |a London ;  |a New York :  |b Continuum,  |c 2012. 
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505 0 |a Title Page; Copyright Page; Dedication Page; Contents; Preface; Chapter 1: Tackling Transcendence: An Introduction; Mediated Transcendence; Course of Study of the Sacred; Context and Caveats; Chapter 2: A History of the Sacred as a Field of Study; From "With an Other" to the "Wholly Other"; From the Oceanic to the Hierophanic; Post-Eliade; Chapter 3: A History of the Sacred and the Cinema; From Birth to Bazin; The Phenomenologists: Agel and Ayfre; Style as Substance: Schrader; Post-Film-Studies Studies of the Sacred and the Cinema; Chapter 4: The Oral Contours of the Religious Spectacular. 
505 8 |a Prelude to a New Theory of Film HierophanySpectacular Hierophany: What the Critics Say; Epical and Exoteric Abundance; Divine Intervention, Masala-Style; Darsan and Frontality; Chapter 5: The Alphabetically Literate Contours of the Transcendental Style; Reading, Writing, and Hierophanizing; Epistemic Streams of Time; The Ordinary as Real--and Epistemically Literate; The Still, Spare, and Silent: A Literate Metaphysics; Divine Intervention as Isolation; Chapter 6: Varieties of Hierophanic Experience; In Defense of a New Methodology; Varieties of Religiously Themed Sacredness. 
520 |a For more than half a centurynow, scholars have debated over what comprises a genuinely religious film onethat evinces an authentic manifestation of the sacred. Often these scholarsdo so by pitting the successful films against those which propagate aninauthentic spiritual experience with the biblical spectacular serving as theirmost notorious candidate. This book argues that whatmakes a filmic manifestation of the sacred true or authentic, may say moreabout a spectator or critics particular way of knowing, as influenced byalphabetic literacy, than it does about the aesthetic or philosophical an. 
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504 |a Includes bibliographical references (pages 173-187) and index. 
546 |a English. 
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650 0 |a Motion pictures  |x Religious aspects. 
650 0 |a Religious films  |x History and criticism. 
650 0 |a Religion in motion pictures. 
650 6 |a Cinéma  |x Aspect religieux. 
650 6 |a Films religieux  |x Histoire et critique. 
650 6 |a Religion au cinéma. 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Media studies.  |2 bicssc 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a Motion pictures  |x Religious aspects  |2 fast 
650 7 |a Religion in motion pictures  |2 fast 
650 7 |a Religious films  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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