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Digital prohibition : piracy and authorship in new media art /

The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Guertin, Carolyn
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Continuum International Pub., 2012.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Guertin, Carolyn. 
245 1 0 |a Digital prohibition :  |b piracy and authorship in new media art /  |c by Carolyn Guertin. 
260 |a London :  |b Continuum International Pub.,  |c 2012. 
300 |a 1 online resource (305 pages) 
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505 0 |a Acknowledgments; Introduction: Ambivalence and authorship; The third space of authorship; The new Prohibition; PART ONE The aesthetics of appropriation; Interruption (stoppage + repetition); Disturbance (action + event); Capture/leakage (performance + documentation); Dynamic data and augmented bodies; PART TWO Authorship; From karaoke culture to vernacular video; 'Aberrant decoding' and atactical aesthetics; Google Empire: smart art, intelligent agents; Real time; PART THREE Creative cannibalism and digital; Digital anthropophagy; Translation: performing the in between. 
505 8 |a 'Productive mistranslation' (China and Pakistan)Conclusion; Notes; Bibliography; Index. 
520 |a The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials. Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (la An. 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
546 |a English. 
532 0 |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Piracy (Copyright)  |z United States. 
650 0 |a Piracy (Copyright) 
650 0 |a Digital media  |x Law and legislation. 
650 0 |a Art and technology. 
650 0 |a New media art. 
650 0 |a Communication and technology. 
650 6 |a Piratage (Droit d'auteur)  |z États-Unis. 
650 6 |a Piratage (Droit d'auteur) 
650 6 |a Art et technologie. 
650 6 |a Arts médiatiques. 
650 6 |a Communication et technologie. 
650 7 |a Technology: general issues.  |2 bicssc 
650 7 |a Media studies.  |2 bicssc 
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650 7 |a Communication and technology  |2 fast 
650 7 |a Digital media  |x Law and legislation  |2 fast 
650 7 |a New media art  |2 fast 
650 7 |a Piracy (Copyright)  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
776 0 8 |i Print version:  |a Guertin, Carolyn.  |t Digital Prohibition : Piracy and Authorship in New Media Art.  |d London : Continuum International Publishing, ©2012  |z 9781441131904 
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