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The Art of Comics : a Philosophical Approach.

The Art of Comics is the first-ever collection of essays published in English devoted to the philosophical topics raised by comics and graphic novels. In an area of growing philosophical interest, this volume constitutes a great leap forward in the development of this fast expanding field, and makes...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Meskin, Aaron
Otros Autores: Cook, Roy T., Ellis, Warren
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : John Wiley & Sons, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Art of Comics :  |b a Philosophical Approach. 
260 |a Hoboken :  |b John Wiley & Sons,  |c 2011. 
300 |a 1 online resource (465 pages) 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Cover; Series page; Title page; Copyright page; Editors' Acknowledgments; Figures; Contributors; Foreword; The Art and Philosophy of Comics: An Introduction; 1 Introduction to the Introduction; 2 What We Are Doing, and Why; 3 A Short History of Comics; 4 Comics Scholarship and the Philosophy of Comics: A Brief History; 5 The Contributions; Part One: The Nature and Kinds of Comics; 1 Redefining Comics; McCloud's Definition; Pictures and Comics; Panels, Panels Everywhere; Seeing-in and Closure; Pictureless Comics?; Wordless Prints, Unprinted Words; Spaces Between Words; The Air of Non-Pictures. 
505 8 |a A Continuum of CasesComic Books and Ideal Books; 2 The Ontology of Comics; Introduction; Multiplicity; How Are Instances of Comics Created?; Autographic and Allographic; Conclusion; 3 Comics and Collective Authorship; Introduction; A Cautious Set-Up; Minimal Authorship (of Sorts); Minimal Authorship (of the Comic Sort); Some Work for a Theory of Comic Authorship; Illustrating Robust Comic Authorship; Comic Authorship of the McCloudian Sort; Appropriation Cases; Commission Cases; Collaborative Cases; Non-Collaborative Cases; Final Thoughts; 4 Comics and Genre; Introduction. 
505 8 |a Desiderata for an Account of GenreExisting Accounts of Genre; An Account of Genre; Conclusion; Part Two: Comics and Representation; 5 Wordy Pictures: Theorizing the Relationship between Image and Text in Comics; Illustrated Books: A First Step; The Image-Text Complex in Comics; The Image; The Text; How Comics Work; An Objection; Conclusion; 6 What's So Funny? Comic Content in Depiction; Where are the Funnies?; Writing Images, Drawing Words; Without Words; Just Looking; Where's the Fun?; "What's That For?" Arts and Artifacts; 7 The Language of Comics1; Introduction; A Pre-Emptive Strike. 
505 8 |a How Comics MeanThe Unified Comic; Conclusion; Part Three: Comics and the Other Arts; 8 Making Comics into Film; 9 Why Comics Are Not Films: Metacomics and Medium-Specific Conventions1; The Problem; The Filmstrip Argument; Metacomics; Bomb Queen's Editor Girl; The Filth's Max Thunderstone; Conventions and Aesthetic Analysis; Conclusions; 10 Proust's In Search of Lost Time: The Comics Version; Index. 
520 |a The Art of Comics is the first-ever collection of essays published in English devoted to the philosophical topics raised by comics and graphic novels. In an area of growing philosophical interest, this volume constitutes a great leap forward in the development of this fast expanding field, and makes a powerful contribution to the philosophy of art. The first-ever anthology to address the philosophical issues raised by the art of comicsProvides an extensive and thorough introduction to the field, and to comics more generallyResponds to the increasing philosophical interest in comic art Includes. 
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650 0 |a Comic books, strips, etc.  |x History and criticism. 
650 0 |a Philosophy in literature. 
650 6 |a Philosophie dans la littérature. 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
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700 1 |a Ellis, Warren. 
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